European school (XIX) - Veduta costiera con scena di naufragio






Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.
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The 19th-century European School oil painting *Veduta costiera con scena di naufragio* is signed and sold with a frame.
Description from the seller
19th century
Coastal view with a shipwreck scene
Oil on canvas, 53 x 70 cm
Framed, 63 x 80 cm
Signed at the bottom
The painting depicts a seascape of extraordinary dramatic intensity: a rocky coastline in the foreground, lashed by powerful waves and foam, where a sailing vessel is being wrecked. The breakers crash violently against the dark, jagged rocks, while several sailors desperately attempt to rescue the shipwreck survivors. In the background stands an architectural complex reminiscent of a fortress or medieval castle, beside a small church with a bell tower, both immersed in the livid light filtering through the storm clouds. The sky occupies much of the composition: on the left, a warm, yellowish glow hints at a break in the clouds, while on the right, masses of dark, heavy clouds gather ominously, creating a highly theatrical contrast of light.
This work is firmly rooted in the tradition of coastal and marine landscape painting that developed between the late 18th century and the first decades of the 19th century, a period when depictions of stormy seas and shipwrecks became an established genre, appreciated by European audiences. During this period, the tradition of picturesque marine painting, heir to 18th-century vedutismo, became intertwined with the Romantic sensibility for the natural sublime, theorized by Edmund Burke and later by Kant: the storm-tossed sea, the fury of the elements, and the peril faced by humankind in the presence of nature’s indomitable power became favored subjects, capable of evoking in the viewer the mixture of terror and wonder characteristic of the experience of the sublime.
As for the signature, which is only partly legible due to the deterioration of the painted surface, it appears to read “Bagon N. Richard,” although it has not been possible to identify the artist with certainty or to link the painting to a documented painter of that name.
The frame is included free of charge and therefore cannot be grounds for a return or claim.
For paintings purchased from abroad: after payment, the process of obtaining an export license (ALC) will begin. All antiques shipped abroad from Italy require this document, issued by the Ministry of Cultural Heritage. The process may take 3 to 5 weeks from the date of application; the painting will be shipped as soon as we receive the document.
19th century
Coastal view with a shipwreck scene
Oil on canvas, 53 x 70 cm
Framed, 63 x 80 cm
Signed at the bottom
The painting depicts a seascape of extraordinary dramatic intensity: a rocky coastline in the foreground, lashed by powerful waves and foam, where a sailing vessel is being wrecked. The breakers crash violently against the dark, jagged rocks, while several sailors desperately attempt to rescue the shipwreck survivors. In the background stands an architectural complex reminiscent of a fortress or medieval castle, beside a small church with a bell tower, both immersed in the livid light filtering through the storm clouds. The sky occupies much of the composition: on the left, a warm, yellowish glow hints at a break in the clouds, while on the right, masses of dark, heavy clouds gather ominously, creating a highly theatrical contrast of light.
This work is firmly rooted in the tradition of coastal and marine landscape painting that developed between the late 18th century and the first decades of the 19th century, a period when depictions of stormy seas and shipwrecks became an established genre, appreciated by European audiences. During this period, the tradition of picturesque marine painting, heir to 18th-century vedutismo, became intertwined with the Romantic sensibility for the natural sublime, theorized by Edmund Burke and later by Kant: the storm-tossed sea, the fury of the elements, and the peril faced by humankind in the presence of nature’s indomitable power became favored subjects, capable of evoking in the viewer the mixture of terror and wonder characteristic of the experience of the sublime.
As for the signature, which is only partly legible due to the deterioration of the painted surface, it appears to read “Bagon N. Richard,” although it has not been possible to identify the artist with certainty or to link the painting to a documented painter of that name.
The frame is included free of charge and therefore cannot be grounds for a return or claim.
For paintings purchased from abroad: after payment, the process of obtaining an export license (ALC) will begin. All antiques shipped abroad from Italy require this document, issued by the Ministry of Cultural Heritage. The process may take 3 to 5 weeks from the date of application; the painting will be shipped as soon as we receive the document.
