European school (XIX) - Veduta costiera con scena di naufragio

00
days
14
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04
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28
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Current bid
€ 250
Reserve price not met
Caterina Maffeis
Expert
Selected by Caterina Maffeis

Master in early Renaissance Italian painting with internship at Sotheby’s and 15 years' experience.

Estimate  € 1,700 - € 1,900
DE
€250
NL
€150
IT
€120

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The 19th-century European School oil painting *Veduta costiera con scena di naufragio* is signed and sold with a frame.

AI-assisted summary

Description from the seller

19th century
Coastal view with a shipwreck scene
Oil on canvas, 53 x 70 cm
Framed, 63 x 80 cm
Signed at the bottom

The painting depicts a seascape of extraordinary dramatic intensity: a rocky coastline in the foreground, lashed by powerful waves and foam, where a sailing vessel is being wrecked. The breakers crash violently against the dark, jagged rocks, while several sailors desperately attempt to rescue the shipwreck survivors. In the background stands an architectural complex reminiscent of a fortress or medieval castle, beside a small church with a bell tower, both immersed in the livid light filtering through the storm clouds. The sky occupies much of the composition: on the left, a warm, yellowish glow hints at a break in the clouds, while on the right, masses of dark, heavy clouds gather ominously, creating a highly theatrical contrast of light.
This work is firmly rooted in the tradition of coastal and marine landscape painting that developed between the late 18th century and the first decades of the 19th century, a period when depictions of stormy seas and shipwrecks became an established genre, appreciated by European audiences. During this period, the tradition of picturesque marine painting, heir to 18th-century vedutismo, became intertwined with the Romantic sensibility for the natural sublime, theorized by Edmund Burke and later by Kant: the storm-tossed sea, the fury of the elements, and the peril faced by humankind in the presence of nature’s indomitable power became favored subjects, capable of evoking in the viewer the mixture of terror and wonder characteristic of the experience of the sublime.
As for the signature, which is only partly legible due to the deterioration of the painted surface, it appears to read “Bagon N. Richard,” although it has not been possible to identify the artist with certainty or to link the painting to a documented painter of that name.

The frame is included free of charge and therefore cannot be grounds for a return or claim.

For paintings purchased from abroad: after payment, the process of obtaining an export license (ALC) will begin. All antiques shipped abroad from Italy require this document, issued by the Ministry of Cultural Heritage. The process may take 3 to 5 weeks from the date of application; the painting will be shipped as soon as we receive the document.

19th century
Coastal view with a shipwreck scene
Oil on canvas, 53 x 70 cm
Framed, 63 x 80 cm
Signed at the bottom

The painting depicts a seascape of extraordinary dramatic intensity: a rocky coastline in the foreground, lashed by powerful waves and foam, where a sailing vessel is being wrecked. The breakers crash violently against the dark, jagged rocks, while several sailors desperately attempt to rescue the shipwreck survivors. In the background stands an architectural complex reminiscent of a fortress or medieval castle, beside a small church with a bell tower, both immersed in the livid light filtering through the storm clouds. The sky occupies much of the composition: on the left, a warm, yellowish glow hints at a break in the clouds, while on the right, masses of dark, heavy clouds gather ominously, creating a highly theatrical contrast of light.
This work is firmly rooted in the tradition of coastal and marine landscape painting that developed between the late 18th century and the first decades of the 19th century, a period when depictions of stormy seas and shipwrecks became an established genre, appreciated by European audiences. During this period, the tradition of picturesque marine painting, heir to 18th-century vedutismo, became intertwined with the Romantic sensibility for the natural sublime, theorized by Edmund Burke and later by Kant: the storm-tossed sea, the fury of the elements, and the peril faced by humankind in the presence of nature’s indomitable power became favored subjects, capable of evoking in the viewer the mixture of terror and wonder characteristic of the experience of the sublime.
As for the signature, which is only partly legible due to the deterioration of the painted surface, it appears to read “Bagon N. Richard,” although it has not been possible to identify the artist with certainty or to link the painting to a documented painter of that name.

The frame is included free of charge and therefore cannot be grounds for a return or claim.

For paintings purchased from abroad: after payment, the process of obtaining an export license (ALC) will begin. All antiques shipped abroad from Italy require this document, issued by the Ministry of Cultural Heritage. The process may take 3 to 5 weeks from the date of application; the painting will be shipped as soon as we receive the document.

Details

Sold with frame
Yes
Sold by
Gallery
Artist
European school (XIX)
Title of artwork
Veduta costiera con scena di naufragio
Technique
Oil painting
Signature
Signed
Country of origin
Europe
Condition
Good condition
Height
53 cm
Width
70 cm
Depiction/theme
Seascape
Period
19th century
Sold by
ItalyVerified
181
Objects sold
100%
pro

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