Escuela Impresionista Europea (XX) - Campos en Verde - NO RESERVE





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Campos en Verde is an original European Impressionist School landscape, an oil painting on board dating from 1930–1940, sold framed and measuring 40 × 44 cm.
Description from the seller
Title: Fields in Green
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School: European Impresionista School (20th century)
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Style: Landscape Impressionism
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Technique: Oil on panel
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Status: Good overall condition, with slight signs of age and superficial wear on the frame.
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Circle and artistic influence:
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The work relates to the European impressionist landscape tradition developed between the late 19th century and the first half of the 20th century. Its painting technique shows influences of French Impressionism and of the regionalist schools dedicated to representing rural landscapes and traditional architectures.
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Affinities with the painting of Camille Pissarro and Alfred Sisley are evident, especially in the use of short, visible brushstrokes to build the vegetation and capture the changing effects of natural light. Likewise, rural architecture and the compositional structure evoke certain proposals of Mediterranean post-impressionist landscape art.
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The composition presents a rural landscape dominated by a group of traditional buildings surrounded by fields and abundant vegetation. In the center stands a building with a clear façade and a sloped roof, accompanied by other taller constructions that extend toward the left side.
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The foreground is occupied by an extensive meadow area, executed with short, impasto-like brushstrokes in greens, yellows, and ochres. The vegetation is represented spontaneously, through small applications of color that add texture and movement to the painted surface.
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To the right rise several trees with irregular foliage, defined with bluish and greenish brushstrokes that contrast with the warm tones of the buildings. The background features gentle mountainous elevations and a grayish sky that helps create depth and atmospheric perspective.
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The technique stands out for the direct application of paint, with visible brushstrokes and a certain accumulation of material in certain areas. The composition conveys a tranquil and luminous atmosphere, characteristic of Impressionist rural-themed painting.
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The balance between the architecture and the natural elements reinforces the evocative character of the scene, where the main interest lies in the chromatic interpretation of the landscape.
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The painting is presented in a dark brown wooden frame, with straight moldings and a fine inner gold line that delineates the composition. Its sober, classically-inspired design complements the natural tones of the landscape without taking away prominence from the work.
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Observations:
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The work shows a thickly laid brushstroke and visible texture, features inherent to its painting technique.
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The work may incur damage during transport even with proper packaging. In that case, we will need photographs of the damages to proceed with compensation. Customer satisfaction is always our priority.
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Exceptional shipping costs may be affected by a surcharge for reasons such as being outside a continental territory, excessive dimensions or weight of the item. PremiArt will not cover this surcharge.
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The courier that must cross the Swiss border can experience much longer delays than usual, so, if possible, to speed up processing, we will provide the customs number that is holding the shipment so the client can unlock it and thus reach its destination. Experience has shown this to be the most effective solution for both parties.
ㅤ
Due to the high volume of shipments, orders may be delayed more than three days, for which we apologize and thank you for your patience. If you have any questions about your order, please contact us via internal messaging.
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Dimensions: 41 × 36 cm
ㅤ
Dimensions with frame: 40 × 44 cm (pending confirmation)
Title: Fields in Green
ㅤ
School: European Impresionista School (20th century)
ㅤ
Style: Landscape Impressionism
ㅤ
Technique: Oil on panel
ㅤ
Status: Good overall condition, with slight signs of age and superficial wear on the frame.
ㅤ
Circle and artistic influence:
ㅤ
The work relates to the European impressionist landscape tradition developed between the late 19th century and the first half of the 20th century. Its painting technique shows influences of French Impressionism and of the regionalist schools dedicated to representing rural landscapes and traditional architectures.
ㅤ
Affinities with the painting of Camille Pissarro and Alfred Sisley are evident, especially in the use of short, visible brushstrokes to build the vegetation and capture the changing effects of natural light. Likewise, rural architecture and the compositional structure evoke certain proposals of Mediterranean post-impressionist landscape art.
ㅤ
The composition presents a rural landscape dominated by a group of traditional buildings surrounded by fields and abundant vegetation. In the center stands a building with a clear façade and a sloped roof, accompanied by other taller constructions that extend toward the left side.
ㅤ
The foreground is occupied by an extensive meadow area, executed with short, impasto-like brushstrokes in greens, yellows, and ochres. The vegetation is represented spontaneously, through small applications of color that add texture and movement to the painted surface.
ㅤ
To the right rise several trees with irregular foliage, defined with bluish and greenish brushstrokes that contrast with the warm tones of the buildings. The background features gentle mountainous elevations and a grayish sky that helps create depth and atmospheric perspective.
ㅤ
The technique stands out for the direct application of paint, with visible brushstrokes and a certain accumulation of material in certain areas. The composition conveys a tranquil and luminous atmosphere, characteristic of Impressionist rural-themed painting.
ㅤ
The balance between the architecture and the natural elements reinforces the evocative character of the scene, where the main interest lies in the chromatic interpretation of the landscape.
ㅤ
The painting is presented in a dark brown wooden frame, with straight moldings and a fine inner gold line that delineates the composition. Its sober, classically-inspired design complements the natural tones of the landscape without taking away prominence from the work.
ㅤ
Observations:
ㅤ
The work shows a thickly laid brushstroke and visible texture, features inherent to its painting technique.
ㅤ
The work may incur damage during transport even with proper packaging. In that case, we will need photographs of the damages to proceed with compensation. Customer satisfaction is always our priority.
ㅤ
Exceptional shipping costs may be affected by a surcharge for reasons such as being outside a continental territory, excessive dimensions or weight of the item. PremiArt will not cover this surcharge.
ㅤ
The courier that must cross the Swiss border can experience much longer delays than usual, so, if possible, to speed up processing, we will provide the customs number that is holding the shipment so the client can unlock it and thus reach its destination. Experience has shown this to be the most effective solution for both parties.
ㅤ
Due to the high volume of shipments, orders may be delayed more than three days, for which we apologize and thank you for your patience. If you have any questions about your order, please contact us via internal messaging.
ㅤ
Dimensions: 41 × 36 cm
ㅤ
Dimensions with frame: 40 × 44 cm (pending confirmation)

