Labelled Umberto Roazzi - - Violin - 1956 (No reserve price)





€350 | ||
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€340 | ||
€320 | ||
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This 1956 violin, labelled Umberto Roazzi, is made of spruce, maple and ebony, has been tested and is usable, and comes with a chinrest, bow and hard case.
Description from the seller
Violin with label “Umberto Roazzi, ROMA, fecit anno 1956, VIA S. MAURA 69”. Two-piece spruce top with medium grain, beautifully flamed maple ribs and back, light orange varnish; ebony fingerboard, rosewood tailpiece and pegs. Known provenance: Private collection, North Rhine-Westphalia.
Includes chinrest, bow and case.
No documentation or certificate is available.
Dimensions: Back length, 35.6 cm. Upper bout, 16.8 cm. Middle bout, 11.2 cm. Lower bout, 21 cm.
Umberto Roazzi was an Italian luthier born in 1929 who was active in the mid-20th century, with work catalogued mainly in Rome and Milan. After studying guitar, he decided to become a luthier in 1952. Although some older dictionaries of violin makers (such as Karel Jalovec’s) initially mention him as an excellent guitar maker, he is said to have occasionally made a few high-quality bowed instruments. He received recognition at the “Concorso Di Santa Cecilia A Roma”, according to Gualtiero Nicolini in his work “Liutai italiani di ieri e di oggi. Dall'Ottocento ai giorni nostri”.
IMPORTANT NOTICE TO BIDDERS
Thank you for your interest in this item. Before placing a bid, we kindly ask you to note the following:
1. Thorough review of photographs All items are photographed from multiple angles. We recommend carefully examining every available image, as these accurately reflect the item’s current condition.
2. Condition of items Goods are sold in the condition shown in the photographs and descriptions. We accept no responsibility for defects that are not visible or not explicitly mentioned in the catalogue.
3. No implied warranties Unless expressly stated otherwise, all items are sold “as is”, with no warranty regarding their condition, functionality or authenticity beyond what is described.
Please be aware that, due to the instrument’s accumulated period of inactivity (non-use) and the mechanical stresses inherent in transportation and shipping, the item may require technical adjustments after receipt.
Please note the following:
• Recommended inspection: It is strongly advisable to have the instrument assessed by a specialist technician or luthier immediately after delivery.
• Setup: Depending on the condition found, a “setup” (tuning, string adjustment, internal cleaning, etc.) may be necessary to ensure optimal performance and safety.
• Responsibility: The sale is made on the understanding that the buyer assumes responsibility for carrying out these inspections if necessary. We accept no responsibility for operational failures resulting from transportation or repositioning after periods of inactivity, unless prior structural damage was described in the catalogue.
We strongly recommend budgeting for this additional maintenance as part of your total investment.
Violins and bows described as “certified” or “attributed” include images of their certificates and are therefore considered to have a greater degree of documented certainty regarding their maker, origin and age than instruments described only as “labelled” (violins) or “stamped” (bows), for which we offer no guarantee.
Violin with label “Umberto Roazzi, ROMA, fecit anno 1956, VIA S. MAURA 69”. Two-piece spruce top with medium grain, beautifully flamed maple ribs and back, light orange varnish; ebony fingerboard, rosewood tailpiece and pegs. Known provenance: Private collection, North Rhine-Westphalia.
Includes chinrest, bow and case.
No documentation or certificate is available.
Dimensions: Back length, 35.6 cm. Upper bout, 16.8 cm. Middle bout, 11.2 cm. Lower bout, 21 cm.
Umberto Roazzi was an Italian luthier born in 1929 who was active in the mid-20th century, with work catalogued mainly in Rome and Milan. After studying guitar, he decided to become a luthier in 1952. Although some older dictionaries of violin makers (such as Karel Jalovec’s) initially mention him as an excellent guitar maker, he is said to have occasionally made a few high-quality bowed instruments. He received recognition at the “Concorso Di Santa Cecilia A Roma”, according to Gualtiero Nicolini in his work “Liutai italiani di ieri e di oggi. Dall'Ottocento ai giorni nostri”.
IMPORTANT NOTICE TO BIDDERS
Thank you for your interest in this item. Before placing a bid, we kindly ask you to note the following:
1. Thorough review of photographs All items are photographed from multiple angles. We recommend carefully examining every available image, as these accurately reflect the item’s current condition.
2. Condition of items Goods are sold in the condition shown in the photographs and descriptions. We accept no responsibility for defects that are not visible or not explicitly mentioned in the catalogue.
3. No implied warranties Unless expressly stated otherwise, all items are sold “as is”, with no warranty regarding their condition, functionality or authenticity beyond what is described.
Please be aware that, due to the instrument’s accumulated period of inactivity (non-use) and the mechanical stresses inherent in transportation and shipping, the item may require technical adjustments after receipt.
Please note the following:
• Recommended inspection: It is strongly advisable to have the instrument assessed by a specialist technician or luthier immediately after delivery.
• Setup: Depending on the condition found, a “setup” (tuning, string adjustment, internal cleaning, etc.) may be necessary to ensure optimal performance and safety.
• Responsibility: The sale is made on the understanding that the buyer assumes responsibility for carrying out these inspections if necessary. We accept no responsibility for operational failures resulting from transportation or repositioning after periods of inactivity, unless prior structural damage was described in the catalogue.
We strongly recommend budgeting for this additional maintenance as part of your total investment.
Violins and bows described as “certified” or “attributed” include images of their certificates and are therefore considered to have a greater degree of documented certainty regarding their maker, origin and age than instruments described only as “labelled” (violins) or “stamped” (bows), for which we offer no guarantee.

