camillo gannelli - Senza titolo





€53 | ||
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€50 | ||
€50 | ||
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Senza titolo is an original 2026 acrylic and mixed-media painting by camillo gannelli, measuring 50 × 50 cm.
Description from the seller
A square containing an infinite horizon.
This work first strikes you with its color, then with its texture. In the upper half, the sky dissolves into a gradient shifting from purplish pink to golden yellow, passing through a fiery orange-red, as if it were a sunset seen up close, without a filter. In the lower half, a deep, almost nocturnal blue becomes sea, land, silence.
The line dividing them is not sharp. It is irregular, jagged, alive. It almost seems as though the sky is spilling into the sea, or the sea is trying to rise toward the light. It is there, at that imperfect boundary, that the painting finds its strength: it is not a landscape, but an encounter.
The surface is all texture, thick paint, relief. You can feel the palette knife, the hand, the gesture. This is not an image to look at from a distance; it is a surface to almost brush with your gaze. The pink is soft and powdery, the yellow warm and luminous, the blue dense and enveloping.
It is a work that does not tell a story, but evokes. It brings calm and, at the same time, unease, like when you watch the sea at sunset and don’t know whether you are losing yourself or finding yourself again.
It would look wonderful on its own in a home, on a white wall, with nothing else around it. Because it needs no explanation: it makes you stop, makes you breathe more slowly.
It seems simple only at first glance; in reality, it stays with you.
A square containing an infinite horizon.
This work first strikes you with its color, then with its texture. In the upper half, the sky dissolves into a gradient shifting from purplish pink to golden yellow, passing through a fiery orange-red, as if it were a sunset seen up close, without a filter. In the lower half, a deep, almost nocturnal blue becomes sea, land, silence.
The line dividing them is not sharp. It is irregular, jagged, alive. It almost seems as though the sky is spilling into the sea, or the sea is trying to rise toward the light. It is there, at that imperfect boundary, that the painting finds its strength: it is not a landscape, but an encounter.
The surface is all texture, thick paint, relief. You can feel the palette knife, the hand, the gesture. This is not an image to look at from a distance; it is a surface to almost brush with your gaze. The pink is soft and powdery, the yellow warm and luminous, the blue dense and enveloping.
It is a work that does not tell a story, but evokes. It brings calm and, at the same time, unease, like when you watch the sea at sunset and don’t know whether you are losing yourself or finding yourself again.
It would look wonderful on its own in a home, on a white wall, with nothing else around it. Because it needs no explanation: it makes you stop, makes you breathe more slowly.
It seems simple only at first glance; in reality, it stays with you.

