Reinaldo Ortega Sardiñas XXI España - Utopías del Pop surrealista Ortega con los Abba, los Bee Gees y los Señores de la Guerra Fria en






Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.
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Description from the seller
Artist: Reinaldo Ortega Sardiñas 1977 - 21st-century Spain.
Series: STURM UND DRANG 2.0, the revolt of the icons continues (2026)
Title: Ortega’s Surrealist Pop Utopias with ABBA, the Bee Gees, and the Lords of the Cold War in the Land of Isabella the Catholic - XL format - Pop Surrealism.
Digital collage printed on canvas, hand-finished with acrylic paint and varnish.
Dimensions: 57 x 120 cm.
Artwork hand-signed by the artist.
In excellent condition. New.
One-of-a-kind original edition in this format and with this specific composition of characters.
Shipping does not include a frame or wooden stretcher bars..
Tracking will be available through the UPS or FedEx website.
Statement:
As a transgressor of contemporary Pop Surrealism, I create work that subverts the codes of art and popular culture. Through vibrant graphics and the imagery of Pop Art, I appropriate iconic references, dismantle and decontextualize them, and return them to the present as an unsettling reflection of our reality.
I deliberately and indifferently disregard any ideological or cultural legacy of the past, because I do not seek to pay homage, but to question, provoke, and rewrite its meanings.
I use collage as a starting point, not only as a visual technique, but as a declaration of rupture. It is in this initial pause that an aesthetic rich in materials, technical solutions, and unexpected combinations takes shape—one that, without needing to adhere to any established order, forms a spontaneous, irreverent, and profoundly contemporary visual language.
My work bursts into symbols, dismantles the sacred, and turns the recognizable into an object of reflection, irony, or contradiction. I do not seek answers; I create friction. Because in the clash between the iconic and the absurd, between the revered and the banal, the distorted mirror of our time emerges. My collages are intended for those who made freedom a form of resistance and still see themselves in the dreams, excesses, contradictions, and cultural achievements of the decades that transformed the 20th century. They are also a tribute to those who survived the pandemic without giving up their identity, their memories, or their desire to live life to the fullest.
Artist: Reinaldo Ortega Sardiñas 1977 - 21st-century Spain.
Series: STURM UND DRANG 2.0, the revolt of the icons continues (2026)
Title: Ortega’s Surrealist Pop Utopias with ABBA, the Bee Gees, and the Lords of the Cold War in the Land of Isabella the Catholic - XL format - Pop Surrealism.
Digital collage printed on canvas, hand-finished with acrylic paint and varnish.
Dimensions: 57 x 120 cm.
Artwork hand-signed by the artist.
In excellent condition. New.
One-of-a-kind original edition in this format and with this specific composition of characters.
Shipping does not include a frame or wooden stretcher bars..
Tracking will be available through the UPS or FedEx website.
Statement:
As a transgressor of contemporary Pop Surrealism, I create work that subverts the codes of art and popular culture. Through vibrant graphics and the imagery of Pop Art, I appropriate iconic references, dismantle and decontextualize them, and return them to the present as an unsettling reflection of our reality.
I deliberately and indifferently disregard any ideological or cultural legacy of the past, because I do not seek to pay homage, but to question, provoke, and rewrite its meanings.
I use collage as a starting point, not only as a visual technique, but as a declaration of rupture. It is in this initial pause that an aesthetic rich in materials, technical solutions, and unexpected combinations takes shape—one that, without needing to adhere to any established order, forms a spontaneous, irreverent, and profoundly contemporary visual language.
My work bursts into symbols, dismantles the sacred, and turns the recognizable into an object of reflection, irony, or contradiction. I do not seek answers; I create friction. Because in the clash between the iconic and the absurd, between the revered and the banal, the distorted mirror of our time emerges. My collages are intended for those who made freedom a form of resistance and still see themselves in the dreams, excesses, contradictions, and cultural achievements of the decades that transformed the 20th century. They are also a tribute to those who survived the pandemic without giving up their identity, their memories, or their desire to live life to the fullest.
