Ramon Vilamosa (1913-?) - NO RESERVE - Rocky Mediterranean coast





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Rocky Mediterranean coast is an original, hand-signed oil painting by Ramon Vilamosa, depicting a landscape, dated to 1940–1950, originating in Spain and sold with its frame.
Description from the seller
1. TECHNICAL DATA
Author: Ramon Vilamosa
School: Catalan / Spanish
Chronology: 20th Century
Genre: Marine landscape / rocky coast
Technique: Oil
Support: Stiff cardboard
Dimensions of the work: 44 × 53 cm
Dimensions with frame: 57 × 66 cm
Orientation: Horizontal
Signature: Signed in the bottom left corner “R. Vilamosa,” accompanied by a numerical annotation.
Inscriptions: On the reverse there is an old handwritten inscription with the name “Ramon Vilamosa” and the address “Passeig de Pujades no. 17 (Center de Recaders), Barcelona.”
Frame: Golden decorative frame of classic taste, with abundant vegetal ornamentation and relief moldings.
Condition: Good overall condition for its age. The pictorial surface shows a strong textural execution, with impastos and reliefs typical of the technique used. The reverse retains signs of handling, old fastenings, and pieces of mounting paper. It is recommended to evaluate the condition through the photographs provided, which form an integral part of the description.
2. DESCRIPTION
Interesting marine landscape by Ramon Vilamosa, executed in oil on cardboard and conceived through an energetic, highly textured painting with strong chromatic intensity.
The composition depicts a small rocky cove viewed from an elevated vantage point. The sea penetrates deeply between two large rock masses that function as natural margins of the scene and guide the gaze toward the horizon.
The intense blue of the water constitutes the main chromatic focus of the painting. Turquoise, ultramarine, cobalt blue, greens and whites mix with free brushstrokes to suggest reflections, foam, and movement. In front of them, the rocky terrain is built from browns, ochres, grays, blacks, and reddish notes.
The work possesses an especially attractive presence thanks to the contrast between the luminous water and the dark areas of the coast, as well as the richness of the materially applied painting.
3. STYLISTIC AND COMPOSITIONAL ANALYSIS
The painting responds to a modern concept of landscape in which topographic description is subordinated to the expressiveness of brushwork and color.
Vilamosa structures the scene through large color masses. The rocky surfaces are built with thick, overlapped, directional brushstrokes, while in the water he uses more horizontal and sinuous strokes that reinforce the sense of movement and depth.
The material treatment is particularly noteworthy. In many areas the painting takes on true relief, clearly preserving the sweep of the brush and the tool over the surface. This accumulation of pigment gives the rocks corporeity and produces light variations depending on the angle from which the work is viewed.
The center of the composition is opened by a diagonal of water that advances from the foreground to the background. This solution generates a powerful depth effect and avoids any sense of stillness.
Chromatically, the contrast between the electric and turquoise blues of the sea and the earthy, purplish, and almost black tones of the cliffs constitutes one of the work’s greatest attractions.
The painting sits within a landscape tradition linked to Post-Impressionism and Color Expressionism, interpreted from a Mediterranean sensibility.
4. PSYCHOLOGICAL DIMENSION
More than offering a serene and descriptive view of the coast, the work conveys an intense and changing nature.
The narrowness of the maritime entrance, the accumulation of rocks, and the vigor of the brushstrokes evoke a sense of force and movement. The water seems to carve its way between the stone masses while small white lines suggest foam and surf.
There is, however, a balance between energy and depth: the strong foreground gradually loses intensity as the gaze moves toward the open sea, producing an attractive sense of spatial expansion.
Thus the landscape acquires an emotional character, built both from the observation of nature and from the painter’s subjective experience.
5. SIGNATURE AND AUTHORITY
The work is signed “R. Vilamosa” in the bottom left corner.
Material documentation preserved on the reverse is especially interesting, where the name Ramon Vilamosa appears handwritten along with the address:
“Passeo de Pujadas no 17
(Centro de Recaderos)
Barcelona.”
This historical inscription constitutes an additional documentary element directly related to the piece’s identification.
The combination of the frontal signature and the posterior inscription reinforces the cataloging of the work under the name Ramon Vilamosa.
6. OTHER INTERESTING DATA
The work preserves a gilded frame of considerable decorative presence, made with richly ornamented, classical-inspired moldings.
Choosing cardboard as a support is perfectly coherent with a painting executed directly and spontaneously, allowing the artist to work quickly and preserve the freshness of the painter’s gesture.
Notably, the tactile quality of the surface stands out: broad areas feature impasto with notable thickness where the direction of each brushstroke can still be clearly seen.
The combination of format, color, and frame makes the piece a work with a strong decorative impact, especially suitable for classic, eclectic, or contemporary interiors.
7. SHIPPING AND CONDITIONS
The work is delivered framed as shown in the photographs.
The photographs are part of the description and allow a detailed appreciation of the conservation state of the work, its pictorial surface, signature, reverse, and frame.
Barcelona Art Gallery has international experience in transporting artworks.
All shipments are carried out through a professional specialized company, using sturdy packaging, customized crates, and interior foam protections to ensure maximum security during transport.
We ship worldwide.
Any possible customs duties, import taxes, or fees applicable in the destination country will be the purchaser’s responsibility.
Seller's Story
1. TECHNICAL DATA
Author: Ramon Vilamosa
School: Catalan / Spanish
Chronology: 20th Century
Genre: Marine landscape / rocky coast
Technique: Oil
Support: Stiff cardboard
Dimensions of the work: 44 × 53 cm
Dimensions with frame: 57 × 66 cm
Orientation: Horizontal
Signature: Signed in the bottom left corner “R. Vilamosa,” accompanied by a numerical annotation.
Inscriptions: On the reverse there is an old handwritten inscription with the name “Ramon Vilamosa” and the address “Passeig de Pujades no. 17 (Center de Recaders), Barcelona.”
Frame: Golden decorative frame of classic taste, with abundant vegetal ornamentation and relief moldings.
Condition: Good overall condition for its age. The pictorial surface shows a strong textural execution, with impastos and reliefs typical of the technique used. The reverse retains signs of handling, old fastenings, and pieces of mounting paper. It is recommended to evaluate the condition through the photographs provided, which form an integral part of the description.
2. DESCRIPTION
Interesting marine landscape by Ramon Vilamosa, executed in oil on cardboard and conceived through an energetic, highly textured painting with strong chromatic intensity.
The composition depicts a small rocky cove viewed from an elevated vantage point. The sea penetrates deeply between two large rock masses that function as natural margins of the scene and guide the gaze toward the horizon.
The intense blue of the water constitutes the main chromatic focus of the painting. Turquoise, ultramarine, cobalt blue, greens and whites mix with free brushstrokes to suggest reflections, foam, and movement. In front of them, the rocky terrain is built from browns, ochres, grays, blacks, and reddish notes.
The work possesses an especially attractive presence thanks to the contrast between the luminous water and the dark areas of the coast, as well as the richness of the materially applied painting.
3. STYLISTIC AND COMPOSITIONAL ANALYSIS
The painting responds to a modern concept of landscape in which topographic description is subordinated to the expressiveness of brushwork and color.
Vilamosa structures the scene through large color masses. The rocky surfaces are built with thick, overlapped, directional brushstrokes, while in the water he uses more horizontal and sinuous strokes that reinforce the sense of movement and depth.
The material treatment is particularly noteworthy. In many areas the painting takes on true relief, clearly preserving the sweep of the brush and the tool over the surface. This accumulation of pigment gives the rocks corporeity and produces light variations depending on the angle from which the work is viewed.
The center of the composition is opened by a diagonal of water that advances from the foreground to the background. This solution generates a powerful depth effect and avoids any sense of stillness.
Chromatically, the contrast between the electric and turquoise blues of the sea and the earthy, purplish, and almost black tones of the cliffs constitutes one of the work’s greatest attractions.
The painting sits within a landscape tradition linked to Post-Impressionism and Color Expressionism, interpreted from a Mediterranean sensibility.
4. PSYCHOLOGICAL DIMENSION
More than offering a serene and descriptive view of the coast, the work conveys an intense and changing nature.
The narrowness of the maritime entrance, the accumulation of rocks, and the vigor of the brushstrokes evoke a sense of force and movement. The water seems to carve its way between the stone masses while small white lines suggest foam and surf.
There is, however, a balance between energy and depth: the strong foreground gradually loses intensity as the gaze moves toward the open sea, producing an attractive sense of spatial expansion.
Thus the landscape acquires an emotional character, built both from the observation of nature and from the painter’s subjective experience.
5. SIGNATURE AND AUTHORITY
The work is signed “R. Vilamosa” in the bottom left corner.
Material documentation preserved on the reverse is especially interesting, where the name Ramon Vilamosa appears handwritten along with the address:
“Passeo de Pujadas no 17
(Centro de Recaderos)
Barcelona.”
This historical inscription constitutes an additional documentary element directly related to the piece’s identification.
The combination of the frontal signature and the posterior inscription reinforces the cataloging of the work under the name Ramon Vilamosa.
6. OTHER INTERESTING DATA
The work preserves a gilded frame of considerable decorative presence, made with richly ornamented, classical-inspired moldings.
Choosing cardboard as a support is perfectly coherent with a painting executed directly and spontaneously, allowing the artist to work quickly and preserve the freshness of the painter’s gesture.
Notably, the tactile quality of the surface stands out: broad areas feature impasto with notable thickness where the direction of each brushstroke can still be clearly seen.
The combination of format, color, and frame makes the piece a work with a strong decorative impact, especially suitable for classic, eclectic, or contemporary interiors.
7. SHIPPING AND CONDITIONS
The work is delivered framed as shown in the photographs.
The photographs are part of the description and allow a detailed appreciation of the conservation state of the work, its pictorial surface, signature, reverse, and frame.
Barcelona Art Gallery has international experience in transporting artworks.
All shipments are carried out through a professional specialized company, using sturdy packaging, customized crates, and interior foam protections to ensure maximum security during transport.
We ship worldwide.
Any possible customs duties, import taxes, or fees applicable in the destination country will be the purchaser’s responsibility.

