Italian school (XVII) - Tête d'étude de la Vierge





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This 17th-century Italian School oil painting, titled “Tête d'étude de la Vierge”, depicts the Virgin and is sold with a frame.
Description from the seller
Italian School of the 17th Century
Study Head of the Virgin – Oil on canvas, re-stretched
Dimensions: 32.5 x 41 cm
Magnificent old oil study on canvas, dating from the 17th century, representing a head of the Virgin with a gaze deeply contemplative and raised toward the sky.
In the great tradition of Italian devotional painting — evoking the spirit of Bologna masters such as Guido Reni or Sassoferrato — this cabinet-format work delights with the softness of its modelling, the finesse of the flesh-tone transitions and the dramatic intensity of its lighting. The face is framed by a dark veil, typical of Marian iconography of the period.
Condition and material history:
Support: The work has undergone an old, high-quality re-stretching, guaranteeing the perfect stability of the canvas. It is stretched on a keyed frame with a central crossbar.
Surface: The pictorial layer presents a beautiful network of authentic age craquelure, with a slight cupping indicating its antiquity. The painting retains its old surface varnish, uniformly oxidized, which gives the whole a warm patina and timeless charm.
An intimate work, ideal for a connoisseur of old art or a collector of cabinets of curiosities.
Italian School of the 17th Century
Study Head of the Virgin – Oil on canvas, re-stretched
Dimensions: 32.5 x 41 cm
Magnificent old oil study on canvas, dating from the 17th century, representing a head of the Virgin with a gaze deeply contemplative and raised toward the sky.
In the great tradition of Italian devotional painting — evoking the spirit of Bologna masters such as Guido Reni or Sassoferrato — this cabinet-format work delights with the softness of its modelling, the finesse of the flesh-tone transitions and the dramatic intensity of its lighting. The face is framed by a dark veil, typical of Marian iconography of the period.
Condition and material history:
Support: The work has undergone an old, high-quality re-stretching, guaranteeing the perfect stability of the canvas. It is stretched on a keyed frame with a central crossbar.
Surface: The pictorial layer presents a beautiful network of authentic age craquelure, with a slight cupping indicating its antiquity. The painting retains its old surface varnish, uniformly oxidized, which gives the whole a warm patina and timeless charm.
An intimate work, ideal for a connoisseur of old art or a collector of cabinets of curiosities.

