Hubert Duprilot - 2026 acrylique sur papier (21x29,7cm)





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Hubert Duprilot’s 2026 original acrylic painting on paper depicts a portrait and is signed by hand.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back" with certificate of authenticity.
A Neo-Expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a spark of hope in a world sometimes dark and uncertain. His work interrogates our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to engage with urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art invites itself into daily life, provoking questions, emotions, and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on paper (21x29.7 cm) "signed bottom right and on the back" with certificate of authenticity.
A Neo-Expressionist artist, Hubert Duprilot has been painting and exhibiting for over thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a spark of hope in a world sometimes dark and uncertain. His work interrogates our condition, our fears, but also our capacity to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience that is often limited and initiated, Hubert Duprilot has chosen to engage with urban space. Turning to street art, he offers a new freedom to his characters, making them leave the studio to be inscribed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse public, in a direct and spontaneous relationship. Public space thus becomes an open-air gallery where art invites itself into daily life, provoking questions, emotions, and encounters.

