Hubert Duprilot - (2026) acrylique sur toile 50x65cm





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Hubert Duprilot’s original, signed 2026 acrylic painting on jute canvas, titled “(2026) acrylique sur toile 50x65cm”, measures 50 × 65 cm and is expressionist.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on jute canvas 655 g/m2 mounted on a wooden frame (50x65 cm) "signed bottom right and on the back".
The work will be delivered with a certificate of authenticity.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a part of hope in a universe sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connections and to reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to be placed at the heart of the city.
On the walls, these silent presences encounter a broader, more diverse audience, in a direct and spontaneous relationship. Public space then becomes an open-air gallery where art invites itself into daily life, stirring questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on jute canvas 655 g/m2 mounted on a wooden frame (50x65 cm) "signed bottom right and on the back".
The work will be delivered with a certificate of authenticity.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our time while seeking to reveal a part of hope in a universe sometimes dark and uncertain. His work questions our condition, our fears, but also our ability to create connections and to reinvent ourselves.
For several years, believing that traditional exhibitions mobilize a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest in urban space. By turning to street art, he offers a new freedom to his characters, making them leave the studio to be placed at the heart of the city.
On the walls, these silent presences encounter a broader, more diverse audience, in a direct and spontaneous relationship. Public space then becomes an open-air gallery where art invites itself into daily life, stirring questions, emotions and encounters.

