Hubert Duprilot - (2026) acrylique sur toile 33x41cm





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Hubert Duprilot’s signed original acrylic painting on jute canvas, dated 2026 and measuring 33 × 41 cm, is titled “(2026) acrylique sur toile 33x41cm”.
Description from the seller
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on burlap canvas 655 g/m2 mounted on a wooden stretcher (41x33 cm) "signed on the bottom right and on the back".
The work will be delivered with a certificate of authenticity.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a trace of hope in a universe that is sometimes dark and uncertain. His work interrogates our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest the urban space.
By turning to street art, he offers a new freedom to his characters, making them leave the studio to be placed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship.
The public space then becomes an open-air gallery where art invites itself into daily life, raising questions, emotions and encounters.
Hubert Duprilot was born in Tours (FRANCE) in 1975.
2026, acrylic on burlap canvas 655 g/m2 mounted on a wooden stretcher (41x33 cm) "signed on the bottom right and on the back".
The work will be delivered with a certificate of authenticity.
Neo-expressionist artist, Hubert Duprilot has been painting and exhibiting for more than thirty years in France and abroad.
Through these human figures, the artist explores the tensions of our era while seeking to reveal a trace of hope in a universe that is sometimes dark and uncertain. His work interrogates our condition, our fears, but also our ability to create connection and to reinvent ourselves.
For several years, believing that traditional exhibitions require a lot of time and energy to reach an audience often limited and initiated, Hubert Duprilot has chosen to invest the urban space.
By turning to street art, he offers a new freedom to his characters, making them leave the studio to be placed at the heart of the city.
On the walls, these silent presences meet a broader, more diverse audience, in a direct and spontaneous relationship.
The public space then becomes an open-air gallery where art invites itself into daily life, raising questions, emotions and encounters.

