Georges Delpérier - Étude de chaise religieuse

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Caroline Bokobza
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Selected by Caroline Bokobza

Graduated as French auctioneer and worked in Sotheby’s Paris valuation department.

Estimate  € 300 - € 400
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Georges Delpérier’s original drawing Étude de chaise religieuse, made in France in 1910–1920, is executed in ink on tracing paper and measures 21 × 18 cm.

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Description from the seller

Georges Delpérier — Study of a religious chair

Ink and pencil on tracing paper. France. Dating: Early 20th century. Period: circa 1900–1920.
Framing dimensions (excluding the frame): 21 cm in height × 18 cm in width.
G. Delpérier stamp on the reverse; note no. 3 at the top.

A high-backed armchair is drawn in perspective. Pinnacles, arcades and openwork ornaments compose a Neo-Gothic vocabulary adapted to religious furniture. The precision of the constructive elements gives the sheet the look of a project study or a repertoire.

Ink fixes the lines of the furniture and the pencil accompanies the construction research. The tracing paper corresponds to a practice of transfer and refinement of the drawing.

Georges Delpérier (1865–1936), French sculptor and statuary established in Tours, developed an activity ranging from monumental sculpture to decors and graphic arts. Trained at the Beaux-Arts de Paris and the Arts Décoratifs, he participates in the Tours art scene. This study of religious furniture, bearing his stamp on the reverse, illustrates a Neo-Gothic vocabulary rich in arcades, pinnacles and openwork ornaments.

Condition: Old tinted tracing paper, lightly marked.

Sold without the frame.

Georges Delpérier — Study of a religious chair

Ink and pencil on tracing paper. France. Dating: Early 20th century. Period: circa 1900–1920.
Framing dimensions (excluding the frame): 21 cm in height × 18 cm in width.
G. Delpérier stamp on the reverse; note no. 3 at the top.

A high-backed armchair is drawn in perspective. Pinnacles, arcades and openwork ornaments compose a Neo-Gothic vocabulary adapted to religious furniture. The precision of the constructive elements gives the sheet the look of a project study or a repertoire.

Ink fixes the lines of the furniture and the pencil accompanies the construction research. The tracing paper corresponds to a practice of transfer and refinement of the drawing.

Georges Delpérier (1865–1936), French sculptor and statuary established in Tours, developed an activity ranging from monumental sculpture to decors and graphic arts. Trained at the Beaux-Arts de Paris and the Arts Décoratifs, he participates in the Tours art scene. This study of religious furniture, bearing his stamp on the reverse, illustrates a Neo-Gothic vocabulary rich in arcades, pinnacles and openwork ornaments.

Condition: Old tinted tracing paper, lightly marked.

Sold without the frame.

Details

Sold by
Owner or reseller
Edition
Original
Artist
Georges Delpérier
Title of artwork
Étude de chaise religieuse
Technique
Ink
Signature
Not signed
Country of origin
France
Condition
Good condition
Height
21 cm
Width
18 cm
Period
1910-1920
FranceVerified
67
Objects sold
70%
Private

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