Silvio Polloni (1888-1972) - Vaso di fiori

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Silvio Polloni’s signed oil painting “Vaso di fiori”, dated 1950 and from the 1950–1960 period, is from Italy and is sold with a frame.

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Description from the seller

Silvio Polloni (Florence 1888- Florence 1972)

Vase of flowers

Oil on canvas

Signed bottom right

Dimensions with frame: 82x98 cm
Painting: 60x75 cm

Son of a decorator craftsman, he was sent at a very young age to work as a "shop-boy" for a family friend, an artisan gilder. In the meantime he attended the Istituto d'Arte up to higher studies and the Scuola Libera del Nudo of the Academy of Fine Arts. Mobilized in 1915 for World War I, after returning to the city he devoted a few years to music and singing before definitively focusing on painting from 1924 onward. In 1928 he participated in the XVI edition of the Venice International Biennial of Art, exhibiting "Paese toscano - Dintorni di Firenze" and he was again present at the XVII edition of 1930 with "Il torrente Mensola", at the XVIII edition of 1932 with "Bagnetti sull'Arno" and "Inverno sull'Arno", at the XIX of 1934 with "Paese toscano", "Neve sulla città", "Pomeriggio d'autunno" and "Stradina toscana" and finally at the XX of 1936 with "Casa rossa", "Giorno grigio" and "Vecchio molino sull'Arno".
He is present at five editions of the National Quadriennale Art Exhibition at the Palazzo delle Esposizioni in Rome, from the first edition of 1931, where he exhibited "Alberi del torrente", followed by "Passaggio a livello", "Giovinetta seduta" and "Sull'Arno" (II Edition, 1934) up to the V edition of 1948.
From 1933 to 1943 he participated in the editions of the Fascist Syndicate of Fine Arts exhibitions held in Florence.
As Armando Nocentini wrote, "Polloni knew how to sing of and exalt the beauty of his land, the enchantment of a fertile countryside, the Arno that traverses it and the simple life that unfolds there...". "Starting from a painting style close to the tradition of the Tuscan Macchiaioli, he integrates it with impressionist-derived suggestions; later, his compositions acquire their own originality, made of vivid but always measured colors, precise strokes, and broad surfaces. Recurring subjects in his imagery are landscapes, figures, and still lifes. The latest production centers on views of the Arno, represented with lyrical expressiveness and intense emotional involvement."
He was also active as a ceramicist and poet and a member of the "Antica Compagnia del Paiolo" which brings together the major representatives of Florentine art. He was also an Academic Painter Aggregated and an Academic Painter Correspondent of the Academy of the Arts of Drawing.
His works appear in numerous public and private art collections, including the Galleria d'Arte Moderna at Palazzo Pitti and the Uffizi Gallery in Florence, the National Gallery of Modern and Contemporary Art in Rome, the Museo di Firenze com'era, the collection of the Academy of Fine Arts of Florence, the Civic Gallery of Modern and Contemporary Art in Latina, the Suzzara Prize Gallery (MN), the Montecatini Contemporary Art in Montecatini Terme, Le Musée national d’archéologie, d’histoire et d’art (Luxembourg).
Silvio Polloni was one of the protagonists of Florentine painting in the twentieth century and is remembered as "the painter of Bellariva".

Insured shipment

Authentic work in good preserved condition

The frame shown in the photos is provided at no additional cost so that the work can be displayed as soon as it arrives. It is included as a courtesy and is not considered an integral part of the artwork. Therefore, any potential damage to the frame that does not affect the artwork itself will not constitute a valid reason to open a claim or to cancel the order

Silvio Polloni (Florence 1888- Florence 1972)

Vase of flowers

Oil on canvas

Signed bottom right

Dimensions with frame: 82x98 cm
Painting: 60x75 cm

Son of a decorator craftsman, he was sent at a very young age to work as a "shop-boy" for a family friend, an artisan gilder. In the meantime he attended the Istituto d'Arte up to higher studies and the Scuola Libera del Nudo of the Academy of Fine Arts. Mobilized in 1915 for World War I, after returning to the city he devoted a few years to music and singing before definitively focusing on painting from 1924 onward. In 1928 he participated in the XVI edition of the Venice International Biennial of Art, exhibiting "Paese toscano - Dintorni di Firenze" and he was again present at the XVII edition of 1930 with "Il torrente Mensola", at the XVIII edition of 1932 with "Bagnetti sull'Arno" and "Inverno sull'Arno", at the XIX of 1934 with "Paese toscano", "Neve sulla città", "Pomeriggio d'autunno" and "Stradina toscana" and finally at the XX of 1936 with "Casa rossa", "Giorno grigio" and "Vecchio molino sull'Arno".
He is present at five editions of the National Quadriennale Art Exhibition at the Palazzo delle Esposizioni in Rome, from the first edition of 1931, where he exhibited "Alberi del torrente", followed by "Passaggio a livello", "Giovinetta seduta" and "Sull'Arno" (II Edition, 1934) up to the V edition of 1948.
From 1933 to 1943 he participated in the editions of the Fascist Syndicate of Fine Arts exhibitions held in Florence.
As Armando Nocentini wrote, "Polloni knew how to sing of and exalt the beauty of his land, the enchantment of a fertile countryside, the Arno that traverses it and the simple life that unfolds there...". "Starting from a painting style close to the tradition of the Tuscan Macchiaioli, he integrates it with impressionist-derived suggestions; later, his compositions acquire their own originality, made of vivid but always measured colors, precise strokes, and broad surfaces. Recurring subjects in his imagery are landscapes, figures, and still lifes. The latest production centers on views of the Arno, represented with lyrical expressiveness and intense emotional involvement."
He was also active as a ceramicist and poet and a member of the "Antica Compagnia del Paiolo" which brings together the major representatives of Florentine art. He was also an Academic Painter Aggregated and an Academic Painter Correspondent of the Academy of the Arts of Drawing.
His works appear in numerous public and private art collections, including the Galleria d'Arte Moderna at Palazzo Pitti and the Uffizi Gallery in Florence, the National Gallery of Modern and Contemporary Art in Rome, the Museo di Firenze com'era, the collection of the Academy of Fine Arts of Florence, the Civic Gallery of Modern and Contemporary Art in Latina, the Suzzara Prize Gallery (MN), the Montecatini Contemporary Art in Montecatini Terme, Le Musée national d’archéologie, d’histoire et d’art (Luxembourg).
Silvio Polloni was one of the protagonists of Florentine painting in the twentieth century and is remembered as "the painter of Bellariva".

Insured shipment

Authentic work in good preserved condition

The frame shown in the photos is provided at no additional cost so that the work can be displayed as soon as it arrives. It is included as a courtesy and is not considered an integral part of the artwork. Therefore, any potential damage to the frame that does not affect the artwork itself will not constitute a valid reason to open a claim or to cancel the order

Details

Sold with frame
Yes
Sold by
Owner or reseller
Edition
Original
Artist
Silvio Polloni (1888-1972)
Title of artwork
Vaso di fiori
Technique
Oil painting
Signature
Hand signed
Country of origin
Italy
Year
1950
Condition
Good condition
Height
82 cm
Width
98 cm
Depiction/theme
Plants and flowers
Period
1950-1960
ItalyVerified
115
Objects sold
100%
Private

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