Almir Mavignier - Kunst in anschlag ** ORIGINAL SILKSCREEN 1996 ** COA **

Original screen printing cartel by Alvir Mavignier (*).
This work was edited for the exhibition “Kunst in anschlag” at the Pfalzgalerie Kaiserslautern in Cologne, under the artist’s supervision.
Edition on high-quality lithographic paper.
Includes Certificate of Authenticity (COA).

*** LAST PIECE ***

Specifications:

Dimensions: 85 x 60 cm
Year: 1996
Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, therefore offered in very good condition).
Provenance: Private Collection.

The work will be carefully handled and packaged in reinforced cardboard packaging. Shipping will be insured with a tracking number (UPS / DPD / DHL / FedEx).

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Almir Da Silva Mavignier (May 1, 1925, Rio de Janeiro, Brazil – September 3, 2018, Hamburg, Germany) was a visual artist, graphic designer and educator. Before emigrating to Europe from his native Brazil, he and Abraham Palatnik founded a studio that offered painting classes for patients in psychiatric hospitals. At that time, he was interested in Gestalt theory and began making connections between science and art. After completing his studies at the Ulm School of Design with Max Bill, he established his own graphic design studio and also joined the Zero group, a Düsseldorf-based experimental collective that published a magazine of the same name. The group was committed to the idea that art should no longer serve as the domain of emotions and subjective expression. Mavignier believed that art and design are related, differing only in their purpose, so his career as a designer and as an artist developed in parallel. Mavignier is behind an original poster art technique that is based on the repetition of a single graphic and geometric element. The resulting pattern, and the product it aims to promote, are easily memorable. In the early 1960s, he began collaborating with the Yugoslav community of artists active in concrete art and optical art. He contributed to organizing the first international exhibition New Tendencies in Zagreb in 1961.

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