Order of Fault - Nothing Left to Taste

06
days
22
hours
11
minutes
59
seconds
Starting bid
€ 1
Reserve price not met
Catherine Mikolajczak
Expert
Selected by Catherine Mikolajczak

Studied art history at Ecole du Louvre and specialised in contemporary art for over 25 years.

Gallery Estimate  € 300 - € 350
No bids placed

Catawiki Buyer Protection

Your payment’s safe with us until you receive your object.View details

Trustpilot 4.4 | 145455 reviews

Rated Excellent on Trustpilot.

Order of Fault’s signed original giclée print, *Nothing Left to Taste* (2026), depicts a still life in a Rococo style on 400 gsm cotton canvas.

AI-assisted summary

Description from the seller

Nothing Left to Taste, 2026 | 100x80cm on 400gsm cotton canvas (unique print)

The feast is still immaculate.
Its guests have forgotten why they came.

About the Series: The Feast
"The Feast" explores a world in which abundance has outlived desire.
Between Baroque splendour and Oblomovian inertia, pleasure gives way to indifference, and luxury becomes a form of exhaustion.
An endless feast for those who have lost their appetite.

About the Artist: Order of Fault
Order of Fault is an anonymous artistic position within The Last Salon.
Drawing on art history, mythology, literature and philosophy, its works question the structures through which culture creates meaning and authority.
Created with the help of digital tools and AI, the works reassemble the visual language of the past into scenes of contemporary unease, while original paintings descend into darker territories of myth, desire, guilt and human uncertainty.
Beauty remains. Certainty does not.

Details:
- Rolled canvas print
- 400gsm artist-grade canvas
- Up to 200 years display permanence
- Printed with a 5 cm white border on all sides for stretching
- Signature on the front

Digital certificate of authenticity on request.

Delivery:
Delivered rolled for hand stretching or framing.
For more information visit our website: https://thelastsalon.studio/


Disclaimer:
This lot contains AI-generated visualisations.

Nothing Left to Taste, 2026 | 100x80cm on 400gsm cotton canvas (unique print)

The feast is still immaculate.
Its guests have forgotten why they came.

About the Series: The Feast
"The Feast" explores a world in which abundance has outlived desire.
Between Baroque splendour and Oblomovian inertia, pleasure gives way to indifference, and luxury becomes a form of exhaustion.
An endless feast for those who have lost their appetite.

About the Artist: Order of Fault
Order of Fault is an anonymous artistic position within The Last Salon.
Drawing on art history, mythology, literature and philosophy, its works question the structures through which culture creates meaning and authority.
Created with the help of digital tools and AI, the works reassemble the visual language of the past into scenes of contemporary unease, while original paintings descend into darker territories of myth, desire, guilt and human uncertainty.
Beauty remains. Certainty does not.

Details:
- Rolled canvas print
- 400gsm artist-grade canvas
- Up to 200 years display permanence
- Printed with a 5 cm white border on all sides for stretching
- Signature on the front

Digital certificate of authenticity on request.

Delivery:
Delivered rolled for hand stretching or framing.
For more information visit our website: https://thelastsalon.studio/


Disclaimer:
This lot contains AI-generated visualisations.

Details

Sold by
Direct from the artist
Edition
Original
Artist
Order of Fault
Title of artwork
Nothing Left to Taste
Technique
Giclée
Signature
Signed
Country of origin
Germany
Year
2026
Condition
Excellent condition
Height
102 cm
Width
81 cm
Weight
0.2 kg
Depiction/theme
Still life
Style
Rococo
Sold with frame
No
Period
2020+
GermanyVerified
101
Objects sold
100%
Private

Similar objects

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​

For you in

Modern & Contemporary Art

  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​
  • ​
    ​
    ​