Max Modolo - circLe

More information at www.maxmodolo.com

A kinetic and minimalist artwork made entirely with layered cardboard of varying thickness and colors, cut and stacked manually to create a suggestive three-dimensional effect. The piece is mounted on a rigid support and protected by a natural wood frame.

Title: circLe

Technique: Manually cut and layered cardboard sheets, stacked in relief

Dimensions: approximately 50 × 50 cm (frame included)

Frame: Clear natural wood of high thickness

Description:

This work, made with layered cardboard, masterfully uses real light as a fundamental constructive element, transforming an apparently two-dimensional piece into a perceptual kinetic sculpture.

The technique of overlapping paper layers creates a true bas-relief sculpture. Each ring slightly protrudes above the one below, forming small “steps” that intercept the light. The light from above or from the side produces sharp and graduated shadows on the inner edges of each circle. These shadows are not static: they vary in intensity and length depending on the angle of the light source and the observer’s position. Result: the work “breathes” and constantly changes, almost like a kinetic artwork without mechanical parts.

Thanks to the light, a strong optical retreat effect toward the center is created. The progressive shadows push the gaze inward, reinforcing the sensation of a vortex or concentric expansion. In diffuse lighting (typical of a gallery or a modern home) the work appears softer and more painterly. Under directional light (e.g., angled spotlights) it becomes dramatic and almost architectural.

This is a site-responsive work: its appearance changes radically based on:
- Light intensity
- Angle of incidence
- Color temperature of the light (warm light enhances orange/yellow tones; cool light brings out more shadow contrasts)
- Time of day (if placed near a window)

The artist does not merely “represent” light but uses it as the primary material. The true medium of the work is not only colored paper but the combination of paper + light. With the right light it becomes a hypnotic, almost living object. It is an excellent example of how contemporary art can use humble materials (simple cardboard) to create sophisticated perceptual experiences related to light and space.

Technique:
Each ring was crafted with artisanal precision, with clean edges and calibrated overlaps to achieve maximum volumetric effect. The work is mounted on a rigid support and protected by a natural wood frame.

Max Modolo creates these works in his studio in Italy. His research in applied arts spans ceramics, wood, resins and plastic materials, painting, and modern 3D expressive techniques. He is passionate about the work of Gerrit Rietveld, Memphis Group, Mangiarotti, Sottsass, Mendini, Cibic, Bitossi, De Lucchi, Friberg, Zanuso, Fornasetti, Rörstrand, Gio Ponti, Campi, Fontana and about pop art, geometric art, Scandinavian design, optical art, contemporary sculpture, minimalism, modern art, De Stijl, Pop Art.