Tessa L Escobar - «La gramática del caos». Acrílico sobre lienzo. XXL

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Nathalia Oliveira
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Gallery Estimate  € 600 - € 750
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Tessa L Escobar’s abstract original painting «La gramática del caos» is a signed 2026 acrylic on canvas measuring 146 × 97 cm.

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Description from the seller

“The Grammar of Chaos.” 2026, 146x97 cm. Acrylic on canvas. Signed on the back.

(All materials used in this work are chosen to be environmentally friendly and acrylics of better quality with the ecofriendly label)

In this composition, Tessa L. Escobar builds a visual territory where writing loses its communicative function to become plastic matter. The black signs, caligráphic in appearance, multiply, cross, and distribute across the surface, generating an almost musical rhythm.

The work is articulated through a structure of vertical bands in pinks, peaches, yellows, and oranges. This chromatic organization introduces a certain sense of order, deliberately contrasting with the free, fragmented, and apparently spontaneous movement of the black strokes.

The contrast between the two elements is one of its greatest strengths: against the vertical serenity of the background, the signs seem to dance, move, and compete for space. There is no obvious narrative center or established hierarchy. The viewer is invited to explore the surface without finding a definite point of arrival.

The piece admits a particularly suggestive reading: it could be understood as a reflection on contemporary communication, information saturation, and the difficulty of finding meaning amidst a constant flow of messages. The signs recall imaginary alphabets, ancient writings, or fragments of a language yet to be deciphered.

Its main strength is the ability to maintain balance between two apparently opposing languages: geometric order and gestural freedom.

As a possible point of reflection, the great density of black signs may hinder the appearance of zones of visual rest. However, this saturation can also be interpreted as an expressive decision coherent with the idea of the accumulation of messages and thoughts.

The work gains especially when viewed from a distance, because then the individual signs give way to a global rhythm, almost musical.

About the author:

Tessa is a Spanish painter with a long career. Trained in the 1990s in painting courses at the Circulo de Bellas Artes in Madrid. In her works, color and geometry are elements through which she seeks balance and harmony. Influenced by neoplasticist currents of the vanguards, she recreates a personal and suggestive body of work, where elegance and style are a demonstration of vital commitment. Her paintings have been shown in national and international galleries. She was a member of the Ward Nasse Gallery in NY in the 1990s, where she exhibited on several occasions, such as in the show “Peek a Boo” and other group exhibitions. Recently she has participated in various international fairs promoted by Art3f, such as Paris 2020 or Monaco 2023.

Shipping:

The work is shipped rolled in a tube. Signed on the back. (Frame or stretcher not included).
Tracked shipping.
We do not ship outside the EU or to the Canary Islands.

“The Grammar of Chaos.” 2026, 146x97 cm. Acrylic on canvas. Signed on the back.

(All materials used in this work are chosen to be environmentally friendly and acrylics of better quality with the ecofriendly label)

In this composition, Tessa L. Escobar builds a visual territory where writing loses its communicative function to become plastic matter. The black signs, caligráphic in appearance, multiply, cross, and distribute across the surface, generating an almost musical rhythm.

The work is articulated through a structure of vertical bands in pinks, peaches, yellows, and oranges. This chromatic organization introduces a certain sense of order, deliberately contrasting with the free, fragmented, and apparently spontaneous movement of the black strokes.

The contrast between the two elements is one of its greatest strengths: against the vertical serenity of the background, the signs seem to dance, move, and compete for space. There is no obvious narrative center or established hierarchy. The viewer is invited to explore the surface without finding a definite point of arrival.

The piece admits a particularly suggestive reading: it could be understood as a reflection on contemporary communication, information saturation, and the difficulty of finding meaning amidst a constant flow of messages. The signs recall imaginary alphabets, ancient writings, or fragments of a language yet to be deciphered.

Its main strength is the ability to maintain balance between two apparently opposing languages: geometric order and gestural freedom.

As a possible point of reflection, the great density of black signs may hinder the appearance of zones of visual rest. However, this saturation can also be interpreted as an expressive decision coherent with the idea of the accumulation of messages and thoughts.

The work gains especially when viewed from a distance, because then the individual signs give way to a global rhythm, almost musical.

About the author:

Tessa is a Spanish painter with a long career. Trained in the 1990s in painting courses at the Circulo de Bellas Artes in Madrid. In her works, color and geometry are elements through which she seeks balance and harmony. Influenced by neoplasticist currents of the vanguards, she recreates a personal and suggestive body of work, where elegance and style are a demonstration of vital commitment. Her paintings have been shown in national and international galleries. She was a member of the Ward Nasse Gallery in NY in the 1990s, where she exhibited on several occasions, such as in the show “Peek a Boo” and other group exhibitions. Recently she has participated in various international fairs promoted by Art3f, such as Paris 2020 or Monaco 2023.

Shipping:

The work is shipped rolled in a tube. Signed on the back. (Frame or stretcher not included).
Tracked shipping.
We do not ship outside the EU or to the Canary Islands.

Details

Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Artist
Tessa L Escobar
Title of artwork
«La gramática del caos». Acrílico sobre lienzo. XXL
Technique
Acrylic painting
Signature
Signed
Country of origin
Spain
Year
2026
Colour
Black, Blue, Green, Orange, Red, White
Condition
Excellent condition
Height
146 cm
Width
97 cm
Style
Abstract
Period
2020+
Spain (Mainland & Balearic Islands)Verified
28
Objects sold
Private

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