Candida Höfer (1944–) - Deutsche Oper am Rhein Düsseldorf 2012/2015






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
| €1,300 | ||
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| €1,200 | ||
| €950 | ||
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Description from the seller
Signed and numbered
Limited edition of 100 copies published by Distanz Verlag, Berlino/New Art Editions, 2015
Deutsch Oper am Rhein Düsseldorf is part of a project called "In Portugal", which the artist realized between 2005 and 2006. The series consist of a selection of photographs taken in public sites throughout the Iberian country. Typical of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters, focusing on the cultural spaces free from human presence. The self-imposed subject restrictions evident in her project are both cultural and formal in nature. The Baroque, modern and contemporary interiors Höfer captures through her lens provide “formal portrait of the social itself,” as it has been defined in Europe since the Enlightenment.
Candida Höfer (1944, Eberswalde, Germany) has been photographing both public and semi-public spaces in a style defined by an anachronistic approach since 1989. After studying at the Kölner Werkschule between 1964 and 1968, Candida Höfer attended the Kunstakademie in Düsseldorf (Germany), initially reading film with Ole John (1973-1976) and then photography with Bernd Becher (1976 -1982). Following in the tradition of the Düsseldorf School of photography, Candida Höfer has often captured images of waiting rooms, spa resorts, banks, churches, libraries, theaters, and museums.
Please note that for sales within Switzerland, the Swiss VAT on the hammer price is included in the delivery price. This work will be shipped from Switzerland, import VAT may apply
Signed and numbered
Limited edition of 100 copies published by Distanz Verlag, Berlino/New Art Editions, 2015
Deutsch Oper am Rhein Düsseldorf is part of a project called "In Portugal", which the artist realized between 2005 and 2006. The series consist of a selection of photographs taken in public sites throughout the Iberian country. Typical of Candida Höfer, the artist has photographed empty interiors of libraries, museums, palaces and theaters, focusing on the cultural spaces free from human presence. The self-imposed subject restrictions evident in her project are both cultural and formal in nature. The Baroque, modern and contemporary interiors Höfer captures through her lens provide “formal portrait of the social itself,” as it has been defined in Europe since the Enlightenment.
Candida Höfer (1944, Eberswalde, Germany) has been photographing both public and semi-public spaces in a style defined by an anachronistic approach since 1989. After studying at the Kölner Werkschule between 1964 and 1968, Candida Höfer attended the Kunstakademie in Düsseldorf (Germany), initially reading film with Ole John (1973-1976) and then photography with Bernd Becher (1976 -1982). Following in the tradition of the Düsseldorf School of photography, Candida Höfer has often captured images of waiting rooms, spa resorts, banks, churches, libraries, theaters, and museums.
Please note that for sales within Switzerland, the Swiss VAT on the hammer price is included in the delivery price. This work will be shipped from Switzerland, import VAT may apply
