Alessandro Alteo (1997) - Monocromo Giallo - 481

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Giulia Couzzi
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Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.

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Original work by Alessandro Alteo, Monocromo Giallo - 481, a mixed media piece signed by hand in 2025, edition original, a refined example of abstract geometry on canvas.

AI-assisted summary

Description from the seller

Mixed technique - Hand-signed - 2025
Artist: Alessandro Alteo
Yellow Monochrome - 481
Extroflection on canvas
Year: 2025
Dimensions: 20x20
Condition: Perfect


Young artist born in 1997.
Stitching on canvas.

Narrative description

Original work by Alessandro Alteo, characterized by a yellow monochrome surface that hosts a circular shape capable of generating a refined play of light and shadow.
This work is part of the tradition of great Italian extroversive and analytical research, inaugurated in the 1960s by masters such as Agostino Bonalumi, Enrico Castellani, and Lucio Fontana, in dialogue with the legacy of Alberto Burri, Giuseppe Amadio, Cesare Berlingeri, and Umberto Mariani.
Come into their world, where even in Alteo, the canvas becomes living matter, a real space and an energetic field, where light, form, and silence blend into an absolute balance.

At the same time, Alteo looks beyond Italian borders, intertwining his vision with Donald Judd's American minimalism and the optical and perceptual vibrancy of Victor Vasarely and Mark Kostabi, reaching the monochromatic spirituality of Yves Klein and the conceptual power of Joseph Beuys.
A poetics of purity emerges, a synthesis between geometry and lyricism, where the circle becomes a universal sign, a visual archetype, and a meditative portal toward an inner dimension.

The work acts as an ideal bridge between the great era of Italian analytical, informal, and abstract art — which featured protagonists such as Franco Angeli, Mario Schifano, Tano Festa, Emilio Vedova, Carla Accardi, Antonio Sanfilippo, Achille Perilli, Giulio Turcato, Gualtiero Nativi, Emilio Scanavino, and Edmondo Bacci — and a contemporary sensibility capable of engaging with the visual tensions of Banksy, Keith Haring, Andy Warhol, Christo, Vanessa Beecroft, Maurizio Cattelan, Vik Muniz, Cindy Sherman, Peter Schuyff, and Boetti.

In this network of influences and references, Alteo develops an autonomous and recognizable voice that draws from tradition but speaks the language of the present, ideally engaging in dialogue with artists such as Giorgio de Chirico, Antonio Possenti, Franco Angeli, Emilio Isgrò, Consagra, Pignatelli, Velasco Vitali, Papetti, Marco Petrus, Giovanni Frangi, Andrea Di Marco, Alessandro Bazan, and Fulvio Di Piazza.

His art thus becomes a cultivated and visionary synthesis, capable of uniting the legacy of Italian painting from the post-war period (from Guttuso to Pirandello, from Caruso to Maccari) with the aesthetic tensions of modern abstract art, conceptual art, and international Pop Art.

The input is a dash character, which does not require translation.

Stylistic in-depth analysis

Alteo's three-dimensional painting belongs to a refined and spiritual vein, which renews in a contemporary key the tradition of the masters of Italian art of the twentieth century — from Cassini, Cascella, Chia, Del Pezzo, Donzelli, Scuffi, Procopio, Palumbo, Musante, Piacesi, Nespolo, Pedretti, and Celiberti, to the more recent generations represented by Cingolani, Arienti, and Agnetti.
In Alteo, painting transforms into a living and vibrant space, a theater of invisible forces where light becomes matter and color turns into a sensory experience.
His language, essential and poetic, naturally fits into the dialogue between contemporary art and architecture, while maintaining a deep humanistic root.

The input is a dash character, which does not require translation.

Shipping

Traceable and professional shipping.
The work will be packed with utmost care, ensuring maximum protection and safety.
A piece with a strong visual impact, refined and meticulous in every detail.
The color may vary slightly depending on the lighting and the angle of the photographs.

The input is a dash character, which does not require translation.

Conclusion

With this work, Alessandro Alteo affirms himself as one of the most interesting voices in the Italian abstract and contemporary scene, bringing class, elegance, and absolute quality to Catawiki, following in the footsteps of the greatest protagonists of modern and contemporary art.

Seller's Story

Hello, I am Alessandro Alteo, an Italian painter. Since I was young, I have dedicated my life to art, creating over 400 works. My research focuses on outward projections and light, transforming every canvas into a unique three-dimensional experience. My works have reached collectors around the world, and my goal has always been to share my vision through forms, light, and matter, creating paintings that evoke emotion and surprise those who observe them.
Translated by Google Translate

Mixed technique - Hand-signed - 2025
Artist: Alessandro Alteo
Yellow Monochrome - 481
Extroflection on canvas
Year: 2025
Dimensions: 20x20
Condition: Perfect


Young artist born in 1997.
Stitching on canvas.

Narrative description

Original work by Alessandro Alteo, characterized by a yellow monochrome surface that hosts a circular shape capable of generating a refined play of light and shadow.
This work is part of the tradition of great Italian extroversive and analytical research, inaugurated in the 1960s by masters such as Agostino Bonalumi, Enrico Castellani, and Lucio Fontana, in dialogue with the legacy of Alberto Burri, Giuseppe Amadio, Cesare Berlingeri, and Umberto Mariani.
Come into their world, where even in Alteo, the canvas becomes living matter, a real space and an energetic field, where light, form, and silence blend into an absolute balance.

At the same time, Alteo looks beyond Italian borders, intertwining his vision with Donald Judd's American minimalism and the optical and perceptual vibrancy of Victor Vasarely and Mark Kostabi, reaching the monochromatic spirituality of Yves Klein and the conceptual power of Joseph Beuys.
A poetics of purity emerges, a synthesis between geometry and lyricism, where the circle becomes a universal sign, a visual archetype, and a meditative portal toward an inner dimension.

The work acts as an ideal bridge between the great era of Italian analytical, informal, and abstract art — which featured protagonists such as Franco Angeli, Mario Schifano, Tano Festa, Emilio Vedova, Carla Accardi, Antonio Sanfilippo, Achille Perilli, Giulio Turcato, Gualtiero Nativi, Emilio Scanavino, and Edmondo Bacci — and a contemporary sensibility capable of engaging with the visual tensions of Banksy, Keith Haring, Andy Warhol, Christo, Vanessa Beecroft, Maurizio Cattelan, Vik Muniz, Cindy Sherman, Peter Schuyff, and Boetti.

In this network of influences and references, Alteo develops an autonomous and recognizable voice that draws from tradition but speaks the language of the present, ideally engaging in dialogue with artists such as Giorgio de Chirico, Antonio Possenti, Franco Angeli, Emilio Isgrò, Consagra, Pignatelli, Velasco Vitali, Papetti, Marco Petrus, Giovanni Frangi, Andrea Di Marco, Alessandro Bazan, and Fulvio Di Piazza.

His art thus becomes a cultivated and visionary synthesis, capable of uniting the legacy of Italian painting from the post-war period (from Guttuso to Pirandello, from Caruso to Maccari) with the aesthetic tensions of modern abstract art, conceptual art, and international Pop Art.

The input is a dash character, which does not require translation.

Stylistic in-depth analysis

Alteo's three-dimensional painting belongs to a refined and spiritual vein, which renews in a contemporary key the tradition of the masters of Italian art of the twentieth century — from Cassini, Cascella, Chia, Del Pezzo, Donzelli, Scuffi, Procopio, Palumbo, Musante, Piacesi, Nespolo, Pedretti, and Celiberti, to the more recent generations represented by Cingolani, Arienti, and Agnetti.
In Alteo, painting transforms into a living and vibrant space, a theater of invisible forces where light becomes matter and color turns into a sensory experience.
His language, essential and poetic, naturally fits into the dialogue between contemporary art and architecture, while maintaining a deep humanistic root.

The input is a dash character, which does not require translation.

Shipping

Traceable and professional shipping.
The work will be packed with utmost care, ensuring maximum protection and safety.
A piece with a strong visual impact, refined and meticulous in every detail.
The color may vary slightly depending on the lighting and the angle of the photographs.

The input is a dash character, which does not require translation.

Conclusion

With this work, Alessandro Alteo affirms himself as one of the most interesting voices in the Italian abstract and contemporary scene, bringing class, elegance, and absolute quality to Catawiki, following in the footsteps of the greatest protagonists of modern and contemporary art.

Seller's Story

Hello, I am Alessandro Alteo, an Italian painter. Since I was young, I have dedicated my life to art, creating over 400 works. My research focuses on outward projections and light, transforming every canvas into a unique three-dimensional experience. My works have reached collectors around the world, and my goal has always been to share my vision through forms, light, and matter, creating paintings that evoke emotion and surprise those who observe them.
Translated by Google Translate

Details

Artist
Alessandro Alteo (1997)
Sold with frame
No
Sold by
Direct from the artist
Edition
Original
Title of artwork
Monocromo Giallo - 481
Technique
Mixed media
Signature
Hand signed
Country of Origin
Italy
Year
2025
Condition
Excellent condition
Height
20 cm
Width
20 cm
Style
Abstract
Period
2020+
ItalyVerified
189
Objects sold
100%
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