Andrzej Gudanski (1979) - Relief, A pair of lovers






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
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Relief, A pair of lovers by Andrzej Gudanski (born 1979), a birch wood and resin sculpture dated 2025, plate signed, hand painted with acrylics and varnished, ready to hang; dimensions 40.7 × 39 × 2 cm; origin Poland; certificate of authenticity included.
Description from the seller
Relief, cut from birch wood, materials used are glues and resins. Hand painted with acrylic paints, varnished ready to hang.
The sculpture comes with certificate of authenticity by,, Andrzej Gudanski "
The sculpture comes from period 2025
Andrzej Gudanski, thanks to indubitable talent and creative sensitivity, and by enormous diligence, presents himself today as a mature, already fully formed artist. He has developed his own and unique style. An artist - a child of an era in which voices of the end of history were heard, and in the art the post-modern currents have won - presents different vision of surrounding him reality. What is real cooperates with that what is imagined. The artist seems to have fun at the unusual, wonderful and absurd. It is impossible to distinguish between the serious and the frivolous. In his poetic and allegorical paintings the artist has deeply sketched drama of modern man and his complicated existence.
Seller's Story
Relief, cut from birch wood, materials used are glues and resins. Hand painted with acrylic paints, varnished ready to hang.
The sculpture comes with certificate of authenticity by,, Andrzej Gudanski "
The sculpture comes from period 2025
Andrzej Gudanski, thanks to indubitable talent and creative sensitivity, and by enormous diligence, presents himself today as a mature, already fully formed artist. He has developed his own and unique style. An artist - a child of an era in which voices of the end of history were heard, and in the art the post-modern currents have won - presents different vision of surrounding him reality. What is real cooperates with that what is imagined. The artist seems to have fun at the unusual, wonderful and absurd. It is impossible to distinguish between the serious and the frivolous. In his poetic and allegorical paintings the artist has deeply sketched drama of modern man and his complicated existence.
