Georges Bartoli 1957 - Le match de rugby 1982






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
During a rugby league match in Perpignan, cheaters watch the game for free, perched on their bikes under the watch of the police. Perpignan, November 1982.
People, Life, Work by Georges Bartoli
Georges Bartoli offers us here some glimpses of a life spent observing the world.
He approached people, attracted by their gestures, their professions, and the way they live their daily lives.
Moments of humanity captured in their apparent banality, similar across eras and geographies.
The author
Originally from Matemale, in the Catalan Pyrenees, Georges Bartoli divides his time between his hometown and the fields of the world where women and men work, struggle, or try to rebuild their lives.
After several years in regional press (Midi Libre, L’Indépendant), he turned to social photojournalism, in France and abroad. He collaborated with L’Humanité, AFP, REA, then with Reuters and Maxppp, before becoming completely independent.
His work mainly focuses on social struggles, the world of work, alter-globalization, peasantry, as well as territories like Palestine or Venezuela.
Seller's Story
During a rugby league match in Perpignan, cheaters watch the game for free, perched on their bikes under the watch of the police. Perpignan, November 1982.
People, Life, Work by Georges Bartoli
Georges Bartoli offers us here some glimpses of a life spent observing the world.
He approached people, attracted by their gestures, their professions, and the way they live their daily lives.
Moments of humanity captured in their apparent banality, similar across eras and geographies.
The author
Originally from Matemale, in the Catalan Pyrenees, Georges Bartoli divides his time between his hometown and the fields of the world where women and men work, struggle, or try to rebuild their lives.
After several years in regional press (Midi Libre, L’Indépendant), he turned to social photojournalism, in France and abroad. He collaborated with L’Humanité, AFP, REA, then with Reuters and Maxppp, before becoming completely independent.
His work mainly focuses on social struggles, the world of work, alter-globalization, peasantry, as well as territories like Palestine or Venezuela.
