Philip Kelly (1950–2010) - Room with sea view

Room with a sea view

Technical Data Sheet

Author: Philip Kelly (1950–2010); signed and dated work.
Chronology: second half of the 20th century.
Technique: Oil on canvas.
Measurements: 30 × 30 cm (artwork) · 38 × 38 cm (framed).
Support: felted fabric; protected by glass.
Style: modern post-impressionism with a Fauvist accent.
Condition: excellent; vivid surface and chromatically balanced, high aesthetic quality frame.


Compositional and iconographic description

The painting depicts a bright interior opening onto a terrace with a marina view, where the breeze and light become the protagonists.
The white curtains, simple furniture, and walls in ochre and red tones create a vibrant dialogue between the interior and exterior, between intimacy and the horizon.

The brushstroke is loose, spontaneous, with black contours that structure the forms and evoke the artistic energy of the School of Paris.

The sea, in an intense blue, contrasts with the warmth of the interior, adding emotional depth and visual balance.
The set radiates an atmosphere of domestic happiness and Mediterranean modernity.


Style, Context, and Comparative Valuation

Philip Kelly developed a painting of lyrical chromaticism and constructive order, close to the legacy of Henri Matisse and Raoul Dufy, integrating color, design, and light in vibrant harmony.

His interest in intimate space and coastal light also brings him closer to the lyricism of Pierre Bonnard and André Derain, albeit with a more contemporary and free tone.

In a room with a sea view, the artist achieves a balance between pure color and expressive synthesis, exalting the vitality of the everyday environment.

Due to its cheerful character, its refined chromatic structure, and the quality of its craftsmanship, it is a work of high aesthetic and collectible value, representative of Kelly's stylistic maturity within contemporary British post-impressionism.