Robert Doisneau (1912–1994) - Typist, Square du Vert Galant, Paris, 1947





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Description from the seller
Rare and magnificent photogravure by the famous photographer Robert Doisneau, created in Paris in 1947, depicting a typist on the banks of the Seine in Paris.
Copy in out-of-print edition of one of the artist's most famous photographs.
Description :
Photogravure on thick paper with a stamp from the press agency/newspaper (Photo credits: Rapho)
Author(s): Robert Doisneau
Editor: Rapho
Publication: 2001
Condition: Excellent (never framed since 2001) see photos.
Bottom right corner slightly pressed. Subtle detail invisible at the frame.
Dimensions: 34.7 cm x 29.5 cm
Shipping: Professional, careful and secure packaging with tracking number and insurance via UPS or Colissimo.
Worldwide shipping.
About the artist :
Robert Doisneau (1912 - 1994) is undoubtedly the 20th century photographer whose shots have left the most lasting impression, notably his black-and-white photographs of Paris and its suburbs after the war. He is at ease in the street, which he transforms into a sensitive surface, a worthy heir of Eugène Atget (1857-1927), whose images he admires for their 'rusticity that defies time.'
Rare and magnificent photogravure by the famous photographer Robert Doisneau, created in Paris in 1947, depicting a typist on the banks of the Seine in Paris.
Copy in out-of-print edition of one of the artist's most famous photographs.
Description :
Photogravure on thick paper with a stamp from the press agency/newspaper (Photo credits: Rapho)
Author(s): Robert Doisneau
Editor: Rapho
Publication: 2001
Condition: Excellent (never framed since 2001) see photos.
Bottom right corner slightly pressed. Subtle detail invisible at the frame.
Dimensions: 34.7 cm x 29.5 cm
Shipping: Professional, careful and secure packaging with tracking number and insurance via UPS or Colissimo.
Worldwide shipping.
About the artist :
Robert Doisneau (1912 - 1994) is undoubtedly the 20th century photographer whose shots have left the most lasting impression, notably his black-and-white photographs of Paris and its suburbs after the war. He is at ease in the street, which he transforms into a sensitive surface, a worthy heir of Eugène Atget (1857-1927), whose images he admires for their 'rusticity that defies time.'

