Glen Baxter (1944) - I THINK I PREFER HIS EARLIER, LESS OVERTLY FIGURATIVE WORK

Glen Baxter
I think I prefer the earlier work that is less overtly figurative.
2009
Screenprint
50 x 69 cm
19 3/4 x 27 1/4 in
Edition of 56 of 150
Fine B+ condition



Glen Baxter (b 1944)

Glen Baxter was born in Leeds and studied at Leeds College of Art from 1960-1965. He has exhibited internationally, and his work is part of the collections at the Tate Gallery and the Victoria and Albert Museum in London. The artist has published numerous books, including Almost Completely Baxter, New and Selected Blurtings in 2016, and Ominous Stains in 2009. He has also appeared in publications such as The New Yorker, Vanity Fair, Elle, and Vogue.

It was at art school, through the work of André Breton, that Baxter first discovered Surrealism, his passion in life. His captioned drawings, rendered in ink and crayon, subvert the visual style of adventure comic series such as Biggles and Dan Dare by the inclusion of unconventional narrative twists.

The artist stages contrived scenes in environments such as art galleries, auction houses, and the great outdoors with humorous results. Lampooning the signifiers of taste such as fine dining and connoisseurship, and misplacing icons of high culture such as the paintings of Mondrian and Rothko, Baxter’s work raises questions about the social structures underpinning aesthetic values.

Mr Baxter shows all the ominous symptoms of genius

A kind of mad cross between Magritte, S. J. Perelman, and Pulp Fiction

"...achieves a kind of social-surrealist comedy comparable to the achievements of Monty Python’s Flying Circus and Vic Reeves" Michael Wilson, Artforum