Emil Gilels - The Unreleased Recital At The Concertgebouw - 2xLP Album (double album) - 2018





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Gilels – The Unreleased Recital At The Concertgebouw
Label: Fondamenta – FON-1803032
Series: The Lost Recordings
Format: 2 x Vinyl, LP, Numbered, Stereo
Country: France
Released: 2018
Genre: Classical
Style: Classical, Romantic, Modern
Tracklist:
Sonata No. 27 In E Minor, Op.90 (14:03)
A1 I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck 5:32
A2 II. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen 8:31
Sonata No. 26 In E-Flat Major "Les Adieux", Op.81a (19:14)
A3 I. Das Lebewohl (Adagio - Allegro) 6:59
B1 II. Abwesenheit (Andante Espressivo) 3:29
B2 III. Das Wiedersehen (Vivacissimamente) 5:55
Sonata No. 25 In G Major, Op.79 (10:36)
B3 I. Presto Alla Tedesca 5:02
B4 II. Andante 3:29
B5 III. Vivace 2:05
4 Ballades, Op.10 (23:23)
C1 Ballade No.1 In D Minor "Edward", Op.10 4:21
C2 Ballade No.2 In D Major, Op.10 6:57
C3 Ballade No.3 In B Minor "Intermezzo", Op.10 4:05
D1 Ballade No.4 In B Major, Op.10 8:00
D2 Arabesque, Op.18 6:54
D3 Prélude, Op. 12, No. 7 2:20
Gilels – The Unreleased Recital At The Concertgebouw
Label: Fondamenta – FON-1803032
Series: The Lost Recordings
Format: 2 x Vinyl, LP, Numbered, Stereo
Country: France
Released: 2018
Genre: Classical
Style: Classical, Romantic, Modern
Tracklist:
Sonata No. 27 In E Minor, Op.90 (14:03)
A1 I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck 5:32
A2 II. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen 8:31
Sonata No. 26 In E-Flat Major "Les Adieux", Op.81a (19:14)
A3 I. Das Lebewohl (Adagio - Allegro) 6:59
B1 II. Abwesenheit (Andante Espressivo) 3:29
B2 III. Das Wiedersehen (Vivacissimamente) 5:55
Sonata No. 25 In G Major, Op.79 (10:36)
B3 I. Presto Alla Tedesca 5:02
B4 II. Andante 3:29
B5 III. Vivace 2:05
4 Ballades, Op.10 (23:23)
C1 Ballade No.1 In D Minor "Edward", Op.10 4:21
C2 Ballade No.2 In D Major, Op.10 6:57
C3 Ballade No.3 In B Minor "Intermezzo", Op.10 4:05
D1 Ballade No.4 In B Major, Op.10 8:00
D2 Arabesque, Op.18 6:54
D3 Prélude, Op. 12, No. 7 2:20

