Classical Drawing

Budget

From

Dimensions

Height

Width

Depth

Classical Art

Reserve price

No reserve price

Closing date

Tuesday

tomorrow

Wednesday

10 February

6 February

Thursday

8 February

Location

France

Italy

Switzerland

Belgium

The Netherlands

Germany

Object

Drawing

Country of origin

Netherlands

Condition

Good condition

Excellent condition

Period

19th century

17th century

1940-1950

18th century

1970-1980

1930-1940

1900-1910

1990-2000

1910-1920

1920-1930

Subject

Nude

Portrait

Seascape

Mythology

Nature

Military and war

Historical scene

Animals and wildlife

Landscape

Religion

Style

Classical

Expressionism

Symbolism

Surrealism

Baroque

Fauvism

Impressionism

Post-Impressionism

Realism

Rococo

Romanticism

Contemporary

Modern

Technique

Pencil drawing

Chalk

Pastel

Charcoal

Mixed media

Crayon

Mixed technique

Signature

Hand signed

Not signed

Signed

Edition

Original

Colour

Grey

Orange

Sold by

Owner or reseller

Gallery

Artist

Claude Weisbuch (1927-2014)

Isaac Israels (1865-1934)

Raoul Dufy (1877-1953)

Maximilien Luce (1858-1941)

Italian school (XVII)

Italian school (XVIII)

French school (XIX)

European school (XX)

Attribution

Attributed to

Circle of

Follower of

Maximilien LUCE (1858-1941)
The mining easel.
Original pencil drawing.
Signed with the artist's seal.
On paper mounted on cardboard 20 x 17 cm.
Very good condition, small defects.

Pencil drawing - Signed

Maximilien Luce (1858-1941) - Le chevalet de mine

Isaac Israels.
Naked.
This characteristic sketch shows a semi-naked female figure, loosely and decisively captured in Israel's recognizable, swift handwriting. With minimal lines and a direct observation, he is able to convincingly convey posture and intimacy — typical of his

Isaac Israels (1865-1934) - Vrouwe figuur, naakt

Apostle's head.
Technique: black stone with shades and highlights of chiaroscuro on paper.
Dimensions: 26 × 20 cm (inside the frame)
Period: the first half of the 17th century (ca. 1620–1650)
Roman-Emilian school post-Carraccesca.
Condition: good; paper slightly oxidized at the

Ink - Not signed

Italian school (XVII) - Testa virile

Attributed to Henri-Edmond Cross (1856-1910)
Red signature cachet at the bottom left (Lugt. 1305a)
Watercolor and gouache on paper.
Dimensions: 16.5 x 27.5 cm.
Removed free sheet from an old mount / Very good condition with some foxing on the back, not visible from the front.


Mixed media - Signed

Henri Edmond Cross (1856-1910), Attributed to - La Sablière

Giuseppe Bossi Firmatk (attributed)
Head of a young man, academic study.
Graphite (and/or black stone) on paper, 20 × 15 cm, within a complimentary frame (with seals on the back)
Dating: c. 1795–1808.
A male head study set according to a rigorous plastic conception, in which the

Pencil drawing - Hand signed

Giuseppe Bossi (1777-1815), Attributed to - Studio di una scultura

Valéry, Paul (Ambroise-Paul, known as) [Sète, 1871 – Paris, 1945], French writer.
Study of the hand and knight.
Original drawing.
Valery draws his open hand beside a study of a rider (on the back is a 1945 exhibition board).
Provenance: Paul Valéry Sale, December 13, 2007

Ink - Not signed - 1945

Paul Valéry (1871-1945) - Étude de main et cavalier

Great ballpoint-pen drawing by the famous Florentine painter Beppe Serafini.
Depicts a horse that is somewhat naive and surreal, in the painter’s full style.
The drawing measures 63.00 cm by 44.00 cm.
Framed as shown in the photo, frame dimensions: 73.50 cm × 53.50 cm.
The

Pen - Signed - 1975

Beppe Serafini (1915-1987) - Cavallo naif

Original pen drawing on paper depicting a rustic scene with animals grazing, created by Domenico Quattrociocchi and dated Rome, November 22, 1931, at the bottom right.
Work of intense graphic quality, characterized by an incised and vibrant line, typical of the twentieth-century

Pen - Signed - 1931

Domenico Quattrociocchi (1872-1941) - Scena rurale

Portrait dated 1931, executed in large format on dark paper.

Original drawing preserved rolled, with an interleaved protective sheet, suitable for studio storage of powder-based dry media, consisting of unbound particles remaining on the surface of the paper.

Charcoal drawing

Chalk, Charcoal, Pastel - Hand signed - 1931

European school (XX) - Grand portrait technique (médium poudreux) 1931

Claude Weisbuch (1927-2014)
Study of the Dancing Nude, the 1970s.
Original charcoal drawing.
Signed in pencil.
On Arches vellum 73 x 54 cm.
Sketch of a drawing on the reverse side (see photos)

Very good condition

Charcoal - Hand signed

Claude Weisbuch (1927-2014) - Etude du nu dansant

André LHOTE (1885-1962)
Roman Remains: The Pont du Gard, circa 1925.
Original drawing in Chinese ink.
On paper, 16 x 26 cm, approximate.
Presented in a lacquered baguette frame 30 x 40 cm.
Madame Dominique Bermann Martin has kindly confirmed the authenticity of this drawing; a

Ink - Hand signed

André Lhote (1885-1962) - Vestiges Romains : Le Pont du Gard

Louis Janmot (1814-1892), Cherubins, graphite on paper, signed and dated “Lyon 1845” at the lower right, 39 x 29 cm.

Provenance: Gifted to Daniel Ternois by his student André Dubois.

Purchased at auction - Schoeller Expert.
Sold framed.
Contact me for more information.

Mixed media - Hand signed - 1845

Louis Janmot (1814-1892) - Chérubins

Abraham Bloemaert, Saint John the Baptist, black chalk and brown watercolor on laid paper, 170 x 110 mm.
Partially glued at the corners to a backing sheet.
Annotated on the mount by Abraham Bloemaert.
Provenance: Charles Gasc (Lugt 543).

The drawing is unpublished.
There is an

Pen - Not signed

Abraham Bloemaert (1566-1651), Attributed to - San Giovanni Battista

Pierre LE TRIVIDIC (1998-1960)

The portrait of Lucienne Vilquain, 1947.
Pencil drawing on paper.
Format : 36 x 26 cm.
Signed and dated lower left.
Provenance: Private collection, Normandy.

Drawing in very good condition.
Framing with signs of wear INCLUDED.
Dimensions with

Pencil drawing - Hand signed - 1947

Pierre Le Trividic (1998-1960) - Le portrait de Lucienne Vilquain

Two putti playing.
Old drawing attributed to François Boucher (1703–1770), probably from the artist's school.
Ancient drawing executed with three pencils (black stone, sanguine, and white chalk) on laid paper, depicting two putti playing, one seated in the foreground, the other

Chalk - Hand signed

École de François Boucher (1703-1770) - Deux putti jouant

French school of the 19th century.
Portrait of a woman.
Pastel.
Signature at the bottom right to decipher.
Subject dimensions: 60.5 x 51.5 cm.
Dimensions with its frame: 78 x 69 cm.
Condition: small missing parts at the frame.
#bridgerton2024.





Pastel - Hand signed

French school (XIX) - Portrait de femme.

Study of a male figure with armor, black pencil drawing on gray paper cut out and affixed to cardboard. Marks on the back.
Curradi is characterized by his detailed drawing in chiaroscuro.
Wooden cornice 19.2 x 25.3 cm.
Provenance: Florence Art Gallery

Pencil drawing - Not signed

Francesco Curradi (1570 - 1661), Circle of - Figura virile con armatura

No reserve.
Head of a young man in profile.
Follower of Raphael Sanzio.
Mixed media (ink and blood) on paper.
Dimensions: approx. 17.9 × 13.8 cm.
Italy, later period (18th–19th century).

Drawing depicting the head of a young man in profile to the left, executed with a fluid line

Raffaello Sanzio (1483-1520), Follower of - Studio di una testa - NO RESERVE

Georges Alfred Cocteau (1842-1898)
Allegory of Winter, 1860.
Original pencil drawing.
Signed in pencil.
Dated in pencil, 1860.
On paper 25 x 11.5 cm, applied to tinted paper 27 x 14 cm.

INFORMATION: Georges Alfred Cocteau is an amateur painter and the father of the writer Jean

Pencil drawing - Hand signed - 1860

Georges Alfred Cocteau (1842-1898) - Allégorie de l'hiver

Raoul Dufy (1877-1953)
Normandy: Bustling beach and sailboats at Saint-Adresse.
Original pencil drawing.
Signed with the artist's seal.
On paper, 30 × 42 cm (sight)
Presented in a golden baguette frame 43 x 55 cm.
AUTHENTICITY : We thank Mrs. Fanny GUILLON-LAFFAILLE who kindly

Raoul Dufy (1877-1953) - Normandie: Plage animée et voiliers à Saint Adresse

Artist: Pieter Stortenbeker (1828–1898)
Title: Cow in the Field.
Medium: Pencil on paper.
Dimensions: visible image approx. 26 × 39 cm; with frame approx. 49.5 × 54 cm.
Style: Romanticism / early realistic animal study.
Signature: Handwritten, bottom right.
Condition: Light

Pieter Hortenbeker (1828-1898) - Koe in het Veld (No Reserve)

Francois Verdier, Scene from the Life of Alexander the Great: Pompey rising from his seat to receive Phidius Litus, pencil and black chalk on paper, 26x51 cm.


Apocryphal attribution in the bottom right 'Lebrun'

3 gaps filled.


Buy at auction.
Contact me for more information.

Chalk, Crayon - Not signed

Francois Verdier (1651-1730) - Scène de la vie d’Alexandre le Grand : Pompée se levant de son siège pour recevoir Phidius Litus

Silver NEJAD (1929–1995)
A Sleeping Odalisque, 1991.
Glued directly onto a 50 x 65 sheet.
Oil pastel on waxed paper, signed and dated.
Handwritten inscription: Decalogue – 1st figure – Sleeping odalisque.
Silver Nejad has developed an unconventional career, outside the

Pastel - Hand signed - 1991

Silver Nejad - Odalisque Endormie

Classical Drawing. Buy unique objects. Now at auction for sale | Catawiki

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Classical Drawing

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