2025 - 93 Wit minimalistisch wandrelief
08
dagen
22
uren
03
minuten
24
seconden
Huidig bod
€ 158
Minimumprijs niet bereikt
Expert
Geselecteerd door Egidio Emiliano Bianco
Heeft een bachelordiploma kunstgeschiedenis en een masterdiploma kunst- en cultuurmanagement.
Schatting galerie € 600 - € 800
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Wit porselein wandrelief met als titel “2025 - 93 Wit minimalistisch wandrelief”, een abstract werk uit Nederland (2025) van 177×177×39 mm, gesigneerd met twee porseleinen applicaties (één met de voornaam en een letter van de achternaam; de andere met de Japanse tekens Raku en Yakimono) en in uitstekende staat.
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Beschrijving van de verkoper
Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter,.
Aan de achterzijde zit een uitsparing waaraan het werk opgehangen kan worden. Op de eerste vijf foto's met de lichte achtergrond is het object hangend afgebeeld.
Het betreft een handgemaakt object.
De kunstenaar heeft dit werk met twee porseleinen applicaties gesigneerd, een is zijn voornaam en de eerste letter van zijn achternaam, op de andere staan twee Japanse karakters, Raku en Yakimono.
Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend milieuvriendelijk materiaal wordt gevuld.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Het kunstwerk is gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een millimeter,.
Aan de achterzijde zit een uitsparing waaraan het werk opgehangen kan worden. Op de eerste vijf foto's met de lichte achtergrond is het object hangend afgebeeld.
Het betreft een handgemaakt object.
De kunstenaar heeft dit werk met twee porseleinen applicaties gesigneerd, een is zijn voornaam en de eerste letter van zijn achternaam, op de andere staan twee Japanse karakters, Raku en Yakimono.
Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend milieuvriendelijk materiaal wordt gevuld.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Details
Era
Na 2000
Land van herkomst
Nederland
Stijl
Abstract
Materiaal
Porselein
Titel van kunstwerk
2025 - 93 Wit minimalistisch wandrelief
Signatuur
Two applications, one featuring a first name and the second displaying Japanese characters 'raku'
Jaar
2025
Kleur
Wit
Staat
In uitstekende staat
Hoogte
177 mm
Breedte
177 mm
Diepte
39 mm
Verkocht door
