2025 - 94 3 stuks rode "hashtag" Andreas
06
dagen
16
uren
46
minuten
53
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Geselecteerd door Egidio Emiliano Bianco
Heeft een bachelordiploma kunstgeschiedenis en een masterdiploma kunst- en cultuurmanagement.
Schatting galerie € 700 - € 900
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Drie handgemaakte porseleinen abstracte kunstwerken van Hans Meeuwsen, getiteld "2025 - 94 3 stuks rode \"hashtag\" Andreas", elk 124 × 124 × 37 mm, rood geglazuurd, handgesigneerd aan de achterzijde, gemaakt in Nederland in 2025.
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Beschrijving van de verkoper
De drie kunstwerken zijn gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een tot 3 millimeter. Ze zijn afgewerkt met twee lagen porselein die is ingekleurd met een rood keramisch kleurpigment.
Aan de achterzijde zitten twee uitsparingen waaraan de werken horizontaal (hashtag) of diagonaal (Andreaskruis) opgehangen kunnen worden. Zie de foto's.
Het betreft een handgemaakt object.
De kunstenaar heeft dit werk aan de achterkant met de hand gesigneerd.
Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend milieuvriendelijk materiaal wordt gevuld.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De drie kunstwerken zijn gemaakt van porselein, oxiderend gestookt op 1240 C. De wanddikte is ongeveer een tot 3 millimeter. Ze zijn afgewerkt met twee lagen porselein die is ingekleurd met een rood keramisch kleurpigment.
Aan de achterzijde zitten twee uitsparingen waaraan de werken horizontaal (hashtag) of diagonaal (Andreaskruis) opgehangen kunnen worden. Zie de foto's.
Het betreft een handgemaakt object.
De kunstenaar heeft dit werk aan de achterkant met de hand gesigneerd.
Bij de verzending zal deze kist “box in box” verpakt worden, waarbij de tussenruimte met schokabsorberend milieuvriendelijk materiaal wordt gevuld.
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
De verkoper stelt zich voor
Hans Meeuwsen (1954, The Netherlands) graduated from the Visual Arts Academy in Tilburg to initially become a teacher in visual arts at an upper secondary school. His main specialism was drawing, but he accidentally discovered the potential of clay as a visual arts medium. Rolling, pressing and cutting provided him with little flat clay squares that he used to built cubic shapes looking like hermetically closed cells.
A few years later he received national and international recognition with exhibitions in The Netherlands and Germany. Important works from that time include towers, pyramids and other constructions, some being pure geometric abstractions, others being interpretations of the mythical Tower of Babel. Hans further developped his ceramic skills during residencies at the European Ceramic Work Centre in The Netherlands and working periods in New Zealand, Lithuania and the Japanese Island Hirado.
During the most recent years he has further developped his ceramic skills and works with creamy white wafer-thin slices of egg-shell porcelain that are mounted into cubes or pyramids. By stacking these geometric shapes in repetitive patterns he creates sculptures that are reminiscent of the Dutch Zero-movement and in particular the works by Jan Schoonhoven, but in the end clearly bears the artists’ own signature. He applies his decades-long experience to create a dialogue between inner and outer space, between geometric and organic, between order and chaos.
Hans Meeuwsen is a “Prix de Rome” nominee of 1987 and a Fletcher Challenge Ceramic merit award winner of 1992 and ever since then his work has found its way to many national and international collections.
Details
Era
Na 2000
Land van herkomst
Nederland
Stijl
Abstract
Materiaal
Porselein
Titel van kunstwerk
2025 - 94 3 stuks rode "hashtag" Andreas
Signatuur
Handgesigneerd
Jaar
2025
Kleur
Rood
Staat
In uitstekende staat
Hoogte
124 mm
Breedte
124 mm
Diepte
37 mm
Verkocht door
