Nr 99638138
Sprzedane
Ostateczna oferta
€ 45
1 dzień temu
Albrecht Durer (1471-1528), after - The Apocalypse: Four angels holding back the winds, and the marking of the elect
Very good impression on ivory paper.
Four angels holding back the winds, and the marking of the elect; angels armed with swords hold back the winds on the left on the right an angel marks the foreheads of a group of figures, with German letterpress text on the verso. One of 15 illustrations of the German 1498 edition of the series c.1497-8
Woodcut
From the Series: The Apocalypse
Bibliographic references
Meder 1932 / Dürer Katalog (169) (1498 German edition)(169)
Bartsch / Le Peintre graveur (VII.128.66)
Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.260.1)
Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.117)
(Source: British Museum)
After the original woodcut. A 19th century printing, published in Leipzig in 1886.
Condition is good. Some foxing.
Nr 99638138
Sprzedane
Albrecht Durer (1471-1528), after - The Apocalypse: Four angels holding back the winds, and the marking of the elect
Very good impression on ivory paper.
Four angels holding back the winds, and the marking of the elect; angels armed with swords hold back the winds on the left on the right an angel marks the foreheads of a group of figures, with German letterpress text on the verso. One of 15 illustrations of the German 1498 edition of the series c.1497-8
Woodcut
From the Series: The Apocalypse
Bibliographic references
Meder 1932 / Dürer Katalog (169) (1498 German edition)(169)
Bartsch / Le Peintre graveur (VII.128.66)
Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.260.1)
Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.117)
(Source: British Museum)
After the original woodcut. A 19th century printing, published in Leipzig in 1886.
Condition is good. Some foxing.
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