N.º 102412481

Vendido
uma terracota - Nok - Nigéria
Licitação final
€ 3.200
Há 12 semanas

uma terracota - Nok - Nigéria

A terracotta in the style of Nok, Nigeria, collected in the Kaduna region, a male figure in shape of a bird. This terracotta figure, collected in the Kaduna region of Nigeria, exemplifies the enduring influence of the Nok tradition, one of West Africa’s earliest and most celebrated sculptural cultures, dating from approximately 500 BCE to 200 CE. Known for its highly stylized human and animal forms, Nok art integrates abstraction, elongated proportions, and expressive detail to convey symbolic, ritual, and social significance. The present figure—a male in the form of a bird, colloquially referred to as the “Bird Man”—illustrates the Nok preoccupation with hybrid or transformative forms, blending human and avian characteristics. Such hybridity may reflect cosmological beliefs, in which animals serve as intermediaries between the spiritual and terrestrial worlds, or as metaphors for qualities such as agility, vision, or supernatural authority. The figure’s posture, detailed facial features, and careful modeling demonstrate mastery of terracotta as a medium, while its formal abstraction emphasizes symbolic rather than purely naturalistic representation. Figures like the “Bird Man” were likely produced for ritual or ceremonial contexts, possibly as part of ancestral veneration, fertility rites, or protective cults. Terracotta in Nok culture was highly portable, enabling these objects to serve as both domestic ritual tools and markers of communal identity. The Kaduna provenance situates this figure within a historically rich region where Nok-style terracottas were widely distributed and locally adapted, illustrating the dynamic interaction between tradition, geography, and social practice. As an artifact, the “Bird Man” embodies the fusion of artistic sophistication, symbolic hybridity, and ritual function. It provides insight into the enduring legacies of Nok art, its conceptual frameworks, and the ways in which sculptural form mediates human, spiritual, and natural realms in early Nigerian societies. TL Analysis Kotalla 2040 years +/- 16,4 % CAB36596

N.º 102412481

Vendido
uma terracota - Nok - Nigéria

uma terracota - Nok - Nigéria

A terracotta in the style of Nok, Nigeria, collected in the Kaduna region, a male figure in shape of a bird.

This terracotta figure, collected in the Kaduna region of Nigeria, exemplifies the enduring influence of the Nok tradition, one of West Africa’s earliest and most celebrated sculptural cultures, dating from approximately 500 BCE to 200 CE. Known for its highly stylized human and animal forms, Nok art integrates abstraction, elongated proportions, and expressive detail to convey symbolic, ritual, and social significance.

The present figure—a male in the form of a bird, colloquially referred to as the “Bird Man”—illustrates the Nok preoccupation with hybrid or transformative forms, blending human and avian characteristics. Such hybridity may reflect cosmological beliefs, in which animals serve as intermediaries between the spiritual and terrestrial worlds, or as metaphors for qualities such as agility, vision, or supernatural authority. The figure’s posture, detailed facial features, and careful modeling demonstrate mastery of terracotta as a medium, while its formal abstraction emphasizes symbolic rather than purely naturalistic representation.

Figures like the “Bird Man” were likely produced for ritual or ceremonial contexts, possibly as part of ancestral veneration, fertility rites, or protective cults. Terracotta in Nok culture was highly portable, enabling these objects to serve as both domestic ritual tools and markers of communal identity. The Kaduna provenance situates this figure within a historically rich region where Nok-style terracottas were widely distributed and locally adapted, illustrating the dynamic interaction between tradition, geography, and social practice.

As an artifact, the “Bird Man” embodies the fusion of artistic sophistication, symbolic hybridity, and ritual function. It provides insight into the enduring legacies of Nok art, its conceptual frameworks, and the ways in which sculptural form mediates human, spiritual, and natural realms in early Nigerian societies.

TL Analysis Kotalla 2040 years +/- 16,4 %

CAB36596

Licitação final
€ 3.200
Dimitri André
Especialista
Estimativa  € 3.100 - € 3.500

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