Martin Kaye - THE JAM - Paradiso The Jam 1982

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Clara Rivera
Especialista
Selecionado por Clara Rivera

É bacharel em jornalismo e mestre em gestão cinematográfica, com especialização em cinema clássico e memorabilia musical.

Estimativa  € 350 - € 400
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Cartaz Paradiso The Jam 1982 de Martin Kaye, serigrafia, 43 × 61 cm, em excelente estado.

Resumo assistido por IA

Descrição fornecida pelo vendedor

The Jam at Paradiso, 17 & 18 Okt 1982. Amsterdam, Martin Kaye Silk-screened poster , Measures approx 43 x 61 cm (17 x 24" inch). Mint condition.

Martin Kaye, a British designer, was closely associated with Paradiso from 1972 to 1983, where he designed virtually all the posters. Kaye was not only the designer but also the printer and distributor. He screen-printed the posters in Paradiso's basement (under the stage where Prince, The Stones, Blondie, The Stranglers etc..) were performing) and distributed them personally throughout Amsterdam, making it seem as if the city was filled with his work, despite the limited print run of about 120 copies per poster.

Kaye's style was recognizable and powerful, with a clean and purposeful approach: large, clear typography and frequent use of iris printing for a full-color effect. The artist's name had to be large and legible, and the message had to come across clearly and directly. Sometimes he used manipulated photos to emphasize the artist's appearance, which became a key feature of his posters. His posters were bold and striking, intended to grab the attention of passersby and draw them to Paradiso. This visual approach laid the foundation for the rock 'n' roll poster culture in the Netherlands, in which clear lettering and a central focus on the artist became the norm.

The Jam at Paradiso, 17 & 18 Okt 1982. Amsterdam, Martin Kaye Silk-screened poster , Measures approx 43 x 61 cm (17 x 24" inch). Mint condition.

Martin Kaye, a British designer, was closely associated with Paradiso from 1972 to 1983, where he designed virtually all the posters. Kaye was not only the designer but also the printer and distributor. He screen-printed the posters in Paradiso's basement (under the stage where Prince, The Stones, Blondie, The Stranglers etc..) were performing) and distributed them personally throughout Amsterdam, making it seem as if the city was filled with his work, despite the limited print run of about 120 copies per poster.

Kaye's style was recognizable and powerful, with a clean and purposeful approach: large, clear typography and frequent use of iris printing for a full-color effect. The artist's name had to be large and legible, and the message had to come across clearly and directly. Sometimes he used manipulated photos to emphasize the artist's appearance, which became a key feature of his posters. His posters were bold and striking, intended to grab the attention of passersby and draw them to Paradiso. This visual approach laid the foundation for the rock 'n' roll poster culture in the Netherlands, in which clear lettering and a central focus on the artist became the norm.

Dados

Era
1900-2000
Artista/banda (máx. 3)
THE JAM
Artista
Martin Kaye
Título do poster
Paradiso The Jam 1982
Período Estimado
década de 1980
Tipo
Poster
Estado
A (excelente - perfeito estado)
Número de itens
1
Altura
43 cm
Largura
61 cm
Autografado por uma pessoa famosa
Não
Vendido por
HolandaVerificado
275
Objetos vendidos
Privado

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