THE PILGRIMAGE (a Place to Charge) Fine Art Print by Inna Etuvgi “We are all just travelers looking for a place to plug in. It is a survival ritual for the modern soul.” We all know what it means to be depleted and to desperately seek a recharge. Looking at a pair of forgotten, uncharged earbuds, I can’t help but "feel" them: being small, lost, separated, and drained of energy. It is a very human habit to project emotions, hope, and even a bit of "soul" onto the gadgets that follow us everywhere. After all, aren't we all often looking for a place where we can finally feel whole and powered up again? TECHNICAL DETAILS • Dimensions: Image 30 x 40 cm | Paper 33 x 43 cm. • Medium: Museum-quality Giclée print on archival 100% cotton paper. • Edition: Limited edition of 25. Hand-signed and numbered. • Exclusivity: This specific size is a Catawiki Exclusive. EDITION: This work is presented in a Special Catawiki (30x40 cm image on 33x43 cm paper). While the artist’s larger-scale Master Editions are represented in premier online galleries, this specific size is part of a curated series designed to make museum-grade photography accessible for versatile interior spaces. Produced to the highest archival standards, this configuration is available exclusively through the artist’s studio or via selected auction releases. It is not offered through other galleries or platforms in this specific size. ABOUT THE ARTIST Inna Etuvgi is a Swedish-Chukchi art photographer and digital artist, internationally recognised as an Arte Laguna Prize finalist (Venice) and a recipient of the Swedish Arts Grants Committee grant. Born in a remote Arctic village in Chukotka and trained in technical cybernetics, she began her artistic practice in 2020 and has since exhibited across Europe — in Venice, London, Barcelona, Palermo, and San Marino. Etuvgi lives with aphantasia — she cannot see images in her mind. Her camera and AI serve as extensions of her visual imagination, allowing her to create what she cannot picture internally. Through macro photography she enters the hidden worlds of mosses, lichens, and dewdrops; through digital art she gives form to psychological states and inner archetypes. Both are rooted in a deep sensitivity shaped by her Chukchi upbringing — an instinct to feel into every living thing. As art critic Tabish Khan notes: "Her work transports us to other worlds — both real and imaginary, but always in harmony with nature."