Some weights are invisible. They do not bend the spine or slow the step. They live somewhere between identity and obligation, between the place you come from and the self you carry forward. Burden of Belonging begins there. A figure seated on a block of brutalist concrete, still and composed, a moon for a head. On the shoulders, balanced with an almost impossible calm, rests a small white house. The composition is cold and cinematic. The black around the figure is absolute. A single source of light cuts across the scene, isolating what matters and letting everything else dissolve. The image does not appear through paint or ink or print. It emerges through controlled surface damage on acrylic glass. From a distance the figure holds its weight with quiet gravity. Step closer, and the image opens into a field of marks, each one a deliberate act of removal. The figure only exists because the surface has been taken away. The house on the shoulders is not a home in the comfortable sense. It is a history. A responsibility. The weight of where you belong, and whether belonging is something chosen or something inherited. The moon head strips away the personal. The figure becomes anyone. The burden reads as universal. The work carries the quiet logic of René Magritte, where the surreal does not shock but unsettles with precision. Nothing here is impossible. Everything feels exactly, disturbingly right. A person. A seat. A house. The impossible stillness of carrying it all. Burden of Belonging continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. As light shifts, the figure moves between presence and absence, between monument and dissolution. A visual language where damage is not destruction, but structure. "Some things we carry. Some things carry us. And some, we can no longer tell apart." About Art with Scratch Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness. From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into thousands of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole. Light is what gives this work its life. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens, recedes, almost disappears into the darkness from which it came. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality. What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence. In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it retreats, leaving only a whisper of form. It is within that movement, between visibility and disappearance, that the work comes alive. Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.