N.º 105761097

Já não está disponível
Uma escultura de madeira - Senufo - Costa do Marfim
Licitação fechada
Há 9 semanas

Uma escultura de madeira - Senufo - Costa do Marfim

Senufo Twin Masks Wood with dark ritual patina Boundiali Region, Northern Côte d'Ivoire Private Collection Incl stand These rare Senufo twin masks originate from the Boundiali region of northern Côte d'Ivoire, one of the historic centers of Senufo sculpture and a stronghold of the Poro initiation society. Workshops in the Boundiali area are particularly admired for their restrained geometry, elongated proportions, and harmonious balance between abstraction and natural form, producing some of the finest ceremonial carvings in the Senufo world. The composition is carved with three legs supporting the paired figures, creating a striking sense of unity and stability. Each head is crowned by a chameleon, an important Senufo symbol of transformation, wisdom, and mediation between the human and spiritual realms. Such animal motifs are especially characteristic of northern Senufo carving, where sculptors frequently combined human figures with symbolic creatures to express cosmological ideas. The masks are distinguished by long, slender noses ending in broad nostrils, narrow slit eyes, and tubular projecting mouths. These highly stylized features reflect the sculptural vocabulary typical of the Boundiali region, where artists favored elongated facial elements and controlled symmetry over naturalistic representation. The deep dark-brown patina, developed through ritual use and age, further enhances the sculptural clarity and ceremonial presence of the work. The combination of paired figures, chameleon imagery, and the refined linear style characteristic of Boundiali makes these twin masks an exceptional example of northern Senufo ceremonial sculpture. Selected Bibliography Glaze, Anita J. Art and Death in a Senufo Village. Indiana University Press, Bloomington, 1981. Fischer, Eberhard & Homberger, Lorenz (eds.). African Masters: Art from Côte d'Ivoire. Museum Rietberg / Musée du quai Branly, 2014. Neyt, François. Trésors de Côte d'Ivoire. Fonds Mercator, Brussels, 2014. Förster, Till. The Art of the Senufo: The Cleveland Museum of Art Collection. Cleveland Museum of Art, 2010. Goldwater, Robert. Senufo Sculpture from West Africa. The Museum of Primitive Art, New York, 1964. Inv. No. M/A/Z/1/8/1/6///6/// The seller guarantees and can prove that the object was obtained legally. The seller was informed by Catawiki that they had to provide the documentation required by the laws and regulations in their country of residence. The seller guarantees and is entitled to sell/export this object. The seller will provide all provenance information known about the object to the buyer. The seller ensures that any necessary permits are/will be arranged. The seller will inform the buyer immediately about any delays in obtaining such permits. Informant Bakari Bouaflé

N.º 105761097

Já não está disponível
Uma escultura de madeira - Senufo - Costa do Marfim

Uma escultura de madeira - Senufo - Costa do Marfim

Senufo Twin Masks
Wood with dark ritual patina
Boundiali Region, Northern Côte d'Ivoire
Private Collection
Incl stand

These rare Senufo twin masks originate from the Boundiali region of northern Côte d'Ivoire, one of the historic centers of Senufo sculpture and a stronghold of the Poro initiation society. Workshops in the Boundiali area are particularly admired for their restrained geometry, elongated proportions, and harmonious balance between abstraction and natural form, producing some of the finest ceremonial carvings in the Senufo world.

The composition is carved with three legs supporting the paired figures, creating a striking sense of unity and stability. Each head is crowned by a chameleon, an important Senufo symbol of transformation, wisdom, and mediation between the human and spiritual realms. Such animal motifs are especially characteristic of northern Senufo carving, where sculptors frequently combined human figures with symbolic creatures to express cosmological ideas.

The masks are distinguished by long, slender noses ending in broad nostrils, narrow slit eyes, and tubular projecting mouths. These highly stylized features reflect the sculptural vocabulary typical of the Boundiali region, where artists favored elongated facial elements and controlled symmetry over naturalistic representation. The deep dark-brown patina, developed through ritual use and age, further enhances the sculptural clarity and ceremonial presence of the work.

The combination of paired figures, chameleon imagery, and the refined linear style characteristic of Boundiali makes these twin masks an exceptional example of northern Senufo ceremonial sculpture.

Selected Bibliography

Glaze, Anita J. Art and Death in a Senufo Village. Indiana University Press, Bloomington, 1981.
Fischer, Eberhard & Homberger, Lorenz (eds.). African Masters: Art from Côte d'Ivoire. Museum Rietberg / Musée du quai Branly, 2014.
Neyt, François. Trésors de Côte d'Ivoire. Fonds Mercator, Brussels, 2014.
Förster, Till. The Art of the Senufo: The Cleveland Museum of Art Collection. Cleveland Museum of Art, 2010.
Goldwater, Robert. Senufo Sculpture from West Africa. The Museum of Primitive Art, New York, 1964.

Inv. No. M/A/Z/1/8/1/6///6///

The seller guarantees and can prove that the object was obtained legally. The seller was informed by Catawiki that they had to provide the documentation required by the laws and regulations in their country of residence. The seller guarantees and is entitled to sell/export this object. The seller will provide all provenance information known about the object to the buyer. The seller ensures that any necessary permits are/will be arranged. The seller will inform the buyer immediately about any delays in obtaining such permits.

Informant Bakari Bouaflé

Licitação fechada
Dimitri André
Especialista
Estimativa  € 700 - € 800

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