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Tom Hopman

Offering the limited and numbered complete Trilogy by Marcel Proust, titled "A La Recherche du Temps Perdu", or "In search of lost Time",  with 77 etchings after aquarellles by Kees van Dongen. 
This trilogy was published on the first of November in 1947 so 2 years after the ending of World War II.

The Trilogy, with text in French.  is composed of 3 parts or tomes, as follows:

Part or Tome I: In total 572 pages with 24 etchings, titled "Du cotton de chez Swann, A l'ombre des jeunes filles en fleurs".
Part or Tome II: In total 744 pages, with 28 etchings, titled "Le coté de guermantes, Sodome et Gomorrhe".
Part or Tome III, In total 732 pages, with 23 etchings, titled "La prisonnière, Albertine disparue, le temps retrouvé".
 
The 77 etchings by Kees van Dongen are just beautiful and so recognizable with is colorful fauvism style.
 
This Trilogy from 1947 is numbered 2974 out of 8500 editions, plus 250 hors commerce editions.
 
The Trilogy has a decorative hard cover and was printed by E-Desfossees - Néogravure à Paris. Paris, Galimard, 1947.
The book binder was Paul Bonet.


The dimensions of the Trilogy are 24 cm in height, 18 cm in length and in the slipcase a total of 14 cm in width.

There are no scribbles, stamps, or stickers in the Trilogy, which overall are in good to very good condition.

Very often the slipcase which is made of simple thick carton material is lost, however this offering includes the rare slipcase.  The weightof the Trilogy is over 5 kilogram inclusive of packaging, which is reflected in the shipping charge with insurance and tracking.

Marcel Proust (1871-1922) - À la recherche du temps perdu or In Search of Lost Time.

In January of 1909, he remembered and recalled a childhood memory when he tasted a rusk (which is a twice-baked bread which he called a madeleine) dipped in tea.  By July he retired from the world to right this book and the first publication was funded by Proust in 1913.  He only planned on two more volumes, but when the war broke out, he spent time revising.  In June 1919, he released À l’ombre des jeunes filles en fleurs (Within a Budding Grove or Shadow of Young Girls in Flower).  With the release of this volume and a reprint of Swann, he became famous.  In 1921 he released Le Côté de Guermantes (the Guermantes Way) and Sodome et Gomorrhe (City of the Plain or Sodome and Gomorrah).  The last three parts were published posthumously by his brother Robert.  They include 1923 La Prisonnière (The Captive), 1925 Albertine disparue (The Sweet Cheat Gone), and in 1927 Le Temps retrouvé (Time Regained).

Kees Van Dongen (1877 – 1968) - Born Cornelis Theodorus Maria 'Kees' van Dongen (1877 –1968) was a Dutch-French painter who was one of the leading Fauves.  Fauves was coined by art critic Louis Vauxcelles for the group of artists that used bright colors. By 1905 he had left the influence of his training and symbolism style to become more controversial by exhibiting at the Salon d’Automne exhibit with a more radical form and color. 

His most important period is considered to be 1905-1920 where he focused on dancers, singers, masquerades, theater and all types of after-hours life.  When he started to exhibit in Paris with Matisse, Derain, Marquet, Vlaminck, Camoin and Puy, he moved into a more avante-garde styling. 

In 1947, Kees van Dongen illustrated À la recherche du temps perdu for the publisher Gallimard with 77 reproductions of aquarelles by the fauvist, Kees Van Dongen, made especially for this publication. Van Dongen’s aquarelles depict balls, seaside resorts, salons, large diners, gatherings of high society in public parks and on the avenues, and many splendid costumes. Van Dongen gifted several of the original aquarelle paintings to the Proust family and have recently come on the market. 

Paul Bonet (1889-1971) – a French graphic designer and artist where for forty years, he designed covers for books, literature and philosophy.  He is said to have been inspired by the artistic genres of twentieth-century art in France, like Art Nouveau, Cubism, Art Deco, Surrealism, and Geometric Abstractions.  He referred to himself as an “essayist of bookbinding”. And he created over 550 bindings for the publisher Gallimard between 1941 to 1967.

Arte - Quantidade: 3 - Capa dura de proteção (caixa de 5 lados) - Livro

Marcel Proust / Kees van Dongen - A la Recherche du Temps Perdu - 1947

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