- Offset lithograph on heavyweight smooth satin paper (approx. 300gsm, refers to paper thickness/density). - 1991. Copyright A.R. Penck. - Size: 70 x 90cm. - Ready to frame. The pic in which the item appears framed is a simulated recreation for illustrative purposes only, the frame and other decorative elements shown in it are not included in the lot you are bidding on. - Stamp on verso. - Discontinued item. Closed edition, available only in the secondary market (auctions, resellers, galleries, etc.) - Condition: excellent. Never framed, never exposed. - A.R. Penck’s "Ereignis in NY II" (1983) is a powerful example of the artist’s raw, symbolic and highly graphic visual language, developed between painting, graffiti, archaeology and political expression. The composition is filled with signs, stick-like figures, masks, abstract symbols, black forms and energetic red, yellow, blue and green gestures, creating the feeling of an urban code or visual battlefield. Penck’s work often reflects communication, conflict, systems of power and collective behaviour, and this piece connects strongly with the expressive force of 1980s European Neo-Expressionism, alongside artists such as Georg Baselitz, Jörg Immendorff, Markus Lüpertz, Jean-Michel Basquiat, Keith Haring and the wider street-influenced art of the period. This image has strong appeal for admirers of A.R. Penck, German contemporary art, Neo-Expressionism, graffiti-inspired painting, symbolic abstraction and bold urban interiors. Its energetic composition and primitive-looking signs give "Ereignis in NY II" a striking visual presence, ideal for modern homes, creative studios and design-led spaces seeking a strong cultural statement. Penck’s coded figures and graphic immediacy resonate naturally with later and contemporary artists such as Andy Warhol, Basquiat, Keith Haring, Banksy, Shepard Fairey, David Hockney, Jeff Koons, Karl Lagasse, Kaws and Takashi Murakami. With its dynamic rhythm, street-like energy and instantly recognizable symbolic style, this work belongs to the wider culture of collectible icons, where fine art prints, design objects and names such as Rolex, Lego, Cartier, Patek Philippe, Star Wars or Pokémon reflect the enduring appeal of rarity, trend, status and powerful visual identity.