Akira Sato's Omma occupies a singular place in the history of Japanese photobooks. Published in 1971 as the seventh volume of the legendary Eizo no Gendai series by Chuo Koronsha, it reflects one of the most ambitious editorial projects of its era, bringing together many of the photographers who would define the language of postwar Japanese photography. Alongside names such as Ikko Narahara, Masahisa Fukase, Shomei Tomatsu and, later in the series, Daido Moriyama, Akira Sato contributed a volume that remains both visually distinctive and historically significant. ( Omma showcases Sato's extraordinary command of black-and-white photography through a sequence of images that move effortlessly between elegance and intensity. Rather than relying on spectacle, his photographs are built upon subtle gestures, expressive light and an acute sensitivity to form. Portraiture becomes something deeply psychological, where every glance, posture and shadow contributes to an atmosphere that feels both intimate and enigmatic. The result is a work that reveals the photographer's remarkable ability to transform the human figure into a timeless visual presence. Having been one of the founding members of the influential VIVO collective, Sato approached photography with an experimental spirit that distinguished him from many of his contemporaries. His images reject simple documentation in favour of emotional resonance, balancing realism with an unmistakable sense of theatricality. Throughout Omma, every page demonstrates a refined visual intelligence in which composition, rhythm and sequencing work together to create an immersive photographic narrative. The Eizo no Gendai series has become one of the cornerstones of Japanese photobook publishing, admired not only for the quality of the photographers it assembled but also for its sophisticated design and editorial vision. Volume seven occupies an essential place within this celebrated collection, representing Akira Sato at the height of his creative maturity while contributing to one of the most important photobook series ever produced in Japan. This particular copy is especially remarkable as it is a genuine first edition published in 1971, preserving the originality and historical character that collectors seek in landmark Japanese Photography Books. Even more impressive is its near-perfect state of preservation. Copies of this title frequently show significant wear after more than five decades, making such a well-preserved example increasingly difficult to encounter. Retaining the freshness, structure and visual integrity expected from a carefully preserved first printing, this edition offers a rare opportunity to experience Omma exactly as it first appeared. It is not simply an outstanding example of Akira Sato's photographic vision, but also an exceptionally preserved piece of Japanese photobook history, representing one of the defining publications of the legendary Eizo no Gendai series.