Tehos - Abstraction TC 19-2026 - XXL





20 € |
|---|
Protecția cumpărătorului Catawiki
Plata dvs. este în siguranță la noi până când primiți obiectul. Afișare detalii
Trustpilot 4.4 | 143856 recenzii
Evaluat excelent pe Trustpilot.
Tehos prezintă Abstraction TC 19-2026 - XXL, o pictură originală acrilică pe pânză în diptych (dimensiuni totale 146 × 54 × 2 cm; fiecare panou 73 × 54 cm), semnată în colțul din dreapta-jos, cu titlul pe verso, realizată în 2025 în Franţa, în stil contemporan multicolor cu tema naturii.
Descriere de la vânzător
Artist : Tehos
Title : Abstracție TC19-2026
Original Acrylic Painting, on canvas Streched on wooden frame
( it is an original painting not a print )
Size : 146*54*2 cm ( two times 73*54 cm diptyque)
Signed lower right - Title and signature on the back
With C.O.A. from the artist
Ship securely packed with tracking number
With Abstraction TC 19, TEHOS continues his exploration of the line as a fundamental element of his visual language. Usually vertical, the lines are inclined here, introducing a new dynamic, as though the material were subjected to an invisible force.
The deep anthracite-grey surface evokes the world of carbon while moving closer to a mineral quality. The fine parallel striations create a dense texture, punctuated by horizontal breaks that fragment the space and alter the direction of the viewer's gaze.
Between geometric precision and organic tension, the work explores notions of balance, gravity, and displacement. The inclination of the lines does not break with verticality; rather, it offers a variation on it, like a movement suspended between stability and the point of tipping over.
Povestea Vânzătorului
Artist : Tehos
Title : Abstracție TC19-2026
Original Acrylic Painting, on canvas Streched on wooden frame
( it is an original painting not a print )
Size : 146*54*2 cm ( two times 73*54 cm diptyque)
Signed lower right - Title and signature on the back
With C.O.A. from the artist
Ship securely packed with tracking number
With Abstraction TC 19, TEHOS continues his exploration of the line as a fundamental element of his visual language. Usually vertical, the lines are inclined here, introducing a new dynamic, as though the material were subjected to an invisible force.
The deep anthracite-grey surface evokes the world of carbon while moving closer to a mineral quality. The fine parallel striations create a dense texture, punctuated by horizontal breaks that fragment the space and alter the direction of the viewer's gaze.
Between geometric precision and organic tension, the work explores notions of balance, gravity, and displacement. The inclination of the lines does not break with verticality; rather, it offers a variation on it, like a movement suspended between stability and the point of tipping over.

