Dash Snow - Polaroids (MINT CONDITION, SHRINK-WRAPPED) - 2008

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SCARCE OPPORTUNITY to purchase this FANTASTIC, SOUGHT-AFTER and SCARCE photobook -
in BRANDNEW CONDITION.

Martin Parr, Gerry Badger, The Photobook, vol 3, page 100.

Collects all of the artist's output in the Polaroid medium to date.

New, mint, unread; still originally shrink-wrapped in publisher's plastic foil.
COLLECTOR'S COPY.

Dashiell ("Dash") A. Snow (1981-2009) was an American artist based in New York City. Snow's photographs included scenes of sex, drugs, violence, and art-world pretense; his work often depicted the decadent lifestyle of young New York City artists and their social circle.

Peres Projects, Los Angeles, Berlin. 2008. First edition, first printing.

Paperback (as issued). 279 x 279 cm. 280 pages. Photos: Dash Snow. Text in English.

Great photobook - in perfect condition.

"Dashiell A. Snow was born July 27, 1981, to Taya Thurman and Christopher Snow. He grew up on the Upper West Side in New York City. Snow and his siblings, Maxwell and Caroline, are descendants of the de Menil family, who are known for their philanthropy and collection of American art.
At thirteen, he was admitted to Hidden Lake Academy, a residential treatment center specializing in the treatment of children with oppositional defiant disorder.
As a teenager, Snow began taking photographs to document the places he might not remember the next day.
In the 1990s, he was a member of the IRAK graffiti crew; the name of the group was meant to reference shoplifting, or otherwise called, racking. In order to sign his work, Snow used the tag "SACE" or "SACER".
His first solo photography exhibition took place in 2005.
In 2006, The Wall Street Journal profiled Snow and nine other emerging American artists, including Rosson Crow, Ryan Trecartin, Zane Lewis, Barney Kulok, Jordan Wolfson, and Keegan McHargue. The same year he was included in the Whitney Biennial.
In 2007, Snow and Dan Colen co-created an installation of shredded phone books in Jeffrey Deitch's SoHo gallery; the exhibit was named “Nest” or “Hamster Nest”.
In his later collage-based work, Snow used his semen as a material applied to or splashed across newspaper photographs of police officers and/or other authority figures."