Brassai - Graffiti (ORIGINAL DUSTJACKET) - 1960





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RARE, SUPER BEAUTIFUL BOOK from 1960 (!) by legendary photographer Brassai (1899-1984), the "Eye of Paris, famous for "Paris de Nuit" (1933).
Showing Brassai's photographs of the graffiti carved and painted on the walls of Paris.
WITH THE VERY RARE ORIGINAL DUSTJACKET.
BREATH-TAKING PHOTOGRAVURE PRINTING.
ENJOY THE NEWEST EDITION of the SUPER POPULAR SINGLE-SELLER AUCTIONS by 5Uhr30.com
(Ecki Heuser, Cologne, Germany).
Offering some of the BEST PHOTOBOOKS WORLDWIDE - from my private collection and from recent acquisitations.
Photography in Paris during the interwar years was shaped by two significant avant-garde movements: Surrealism and New Vision. The relevant works of Man Ray, Brassaï, Florence Henri, André Kertész, and Germaine Krull have become synonymous with the city around 1930.
The term 'Avant-Garde' originally comes from French military language and refers to the vanguard, i.e., the unit that advances first and thus makes first contact with the enemy. The German military also originally referred to the vanguard as the avant-garde.
VERY SCARCE HARDCOVER VARIANT IN LINEN (published in different versions same time; one with photo-illustrated cover without jacket and one in paperback).
In the 1930s, Brassaï was interested in the marginal art form of graffiti, which he saw as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unbridled creativity. Strong black and white contrasts alternate with softer shades of gray, which merge into one another and soften the hard furrows typical of graffiti. Some of these photographs first appeared in the surrealist magazine Minotaure; others were first published in France and Germany in 1960, in a work entitled Graffiti, which accompanied an exhibition that was shown in New York, London, Milan, Baden-Baden, Frankfurt, Hanover and Paris. This approach was very influential, both for the Surrealists and for Outsider Art.
The term avant-garde is used when an artist takes an innovative and experimental approach to one aspect of their art. The avant-garde in photography takes a critical stance towards existing aesthetic views.
It is important to understand that avant-garde refers to an artistic movement that challenges existing aesthetic norms and seeks new forms of expression.
5Uhr30.com guarantees detailed and accurate descriptions, 100% protection,
100% insurance and combined shipping worldwide.
Christian Belser Verlag, Stuttgart, Berlin, Zurich. 1960. First German edition, first printing.
Hardcover in linen. 230 x 275 mm. 130 pages (13 pages with text). 105 black and white photos. Photos: Brassai. Translation from french into German: Karl Balser, Heidelberg. Text in German.
Condition:
Book inside and outside (protected by the jacket) excellent, very fresh and flawless, clean with no previous owner marks and with no foxing. Dustjacket impressive, complete with no missing parts; spine and rear side with stronger trace of use, stronger rubbing at the edges (like so often), triangle tear and crease at the bottom of the rear side and a few small tears (all easily to restore) at the rear side. Overall fine condition.
Wonderful early photobook by Brassai in excellent photogravure printing - with the original dustjacket.
Säljarens berättelse
RARE, SUPER BEAUTIFUL BOOK from 1960 (!) by legendary photographer Brassai (1899-1984), the "Eye of Paris, famous for "Paris de Nuit" (1933).
Showing Brassai's photographs of the graffiti carved and painted on the walls of Paris.
WITH THE VERY RARE ORIGINAL DUSTJACKET.
BREATH-TAKING PHOTOGRAVURE PRINTING.
ENJOY THE NEWEST EDITION of the SUPER POPULAR SINGLE-SELLER AUCTIONS by 5Uhr30.com
(Ecki Heuser, Cologne, Germany).
Offering some of the BEST PHOTOBOOKS WORLDWIDE - from my private collection and from recent acquisitations.
Photography in Paris during the interwar years was shaped by two significant avant-garde movements: Surrealism and New Vision. The relevant works of Man Ray, Brassaï, Florence Henri, André Kertész, and Germaine Krull have become synonymous with the city around 1930.
The term 'Avant-Garde' originally comes from French military language and refers to the vanguard, i.e., the unit that advances first and thus makes first contact with the enemy. The German military also originally referred to the vanguard as the avant-garde.
VERY SCARCE HARDCOVER VARIANT IN LINEN (published in different versions same time; one with photo-illustrated cover without jacket and one in paperback).
In the 1930s, Brassaï was interested in the marginal art form of graffiti, which he saw as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unbridled creativity. Strong black and white contrasts alternate with softer shades of gray, which merge into one another and soften the hard furrows typical of graffiti. Some of these photographs first appeared in the surrealist magazine Minotaure; others were first published in France and Germany in 1960, in a work entitled Graffiti, which accompanied an exhibition that was shown in New York, London, Milan, Baden-Baden, Frankfurt, Hanover and Paris. This approach was very influential, both for the Surrealists and for Outsider Art.
The term avant-garde is used when an artist takes an innovative and experimental approach to one aspect of their art. The avant-garde in photography takes a critical stance towards existing aesthetic views.
It is important to understand that avant-garde refers to an artistic movement that challenges existing aesthetic norms and seeks new forms of expression.
5Uhr30.com guarantees detailed and accurate descriptions, 100% protection,
100% insurance and combined shipping worldwide.
Christian Belser Verlag, Stuttgart, Berlin, Zurich. 1960. First German edition, first printing.
Hardcover in linen. 230 x 275 mm. 130 pages (13 pages with text). 105 black and white photos. Photos: Brassai. Translation from french into German: Karl Balser, Heidelberg. Text in German.
Condition:
Book inside and outside (protected by the jacket) excellent, very fresh and flawless, clean with no previous owner marks and with no foxing. Dustjacket impressive, complete with no missing parts; spine and rear side with stronger trace of use, stronger rubbing at the edges (like so often), triangle tear and crease at the bottom of the rear side and a few small tears (all easily to restore) at the rear side. Overall fine condition.
Wonderful early photobook by Brassai in excellent photogravure printing - with the original dustjacket.
Säljarens berättelse
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