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Dearest Tinkebell is a provocative book by Dutch artist Tinkebell (Katinka Simonse) and Coralie Vogelaar, published in 2009. By publishing Dearest Tinkebell, TINKEBELL and Vogelaar force a confrontation with the ethics of online harassment and the responsibilities of both artists and their audiences. Traditionally, artists are scrutinized for their work, but this book holds the public and critics accountable for their often vitriolic responses. The project thus raises questions about privacy, accountability, and the boundaries of artistic expression in the internet age.

The book’s release included public discussions and interviews, further amplifying its challenge to the norms of both art and digital discourse. Ultimately, Dearest Tinkebell stands as a unique document of contemporary media culture, exploring the intersection of art, morality, and the power—and danger—of online communities.

The work is a compilation of hate and threatening mail that Tinkebell received between 2004 and 2008, predominantly in response to her controversial 2004 project “My dearest cat Pinkeltje,” in which she made a handbag from the fur of her own cat. This project, and others like it, aimed to challenge societal norms regarding the treatment of animals, questioning why the killing of livestock for consumption is widely accepted, while similar actions toward pets are not.

Beyond simply collecting the messages, the book also features personal information—such as photos, blogs, and addresses—of those who sent the hate mail, all gathered from publicly available online sources. Notably, about 80% of the senders were based in the United States, with others hailing from the Netherlands, Belgium, France, Spain, Russia, the UK, and Brazil. The inclusion of this data confronts the anonymity often enjoyed by online aggressors, holding both the artist and her critics to account.

The publication is enriched with essays by art critics and philosophers, who contextualize the phenomenon of hate mail as both a social and artistic issue. By making the private vitriol public, Dearest Tinkebell shifts the focus from the artist’s actions to the behavior and ethics of the audience, sparking broader discussions about online harassment, privacy, and the responsibilities of public engagement. The book stands as a bold statement on the power dynamics between artists and their audiences in the digital age. 

The book was published in a limited edition of 1,000 copies. This book is number 444.
Attached to the book is a 2-page clipping about the book from the Dutch newspaper NRX Next dated May 19, 2009.
Please, see photos to assess the condition of the book.

Sociologi - Antal: 1 - Book

Tinkebell - Dearest Tinkebell  [no. 444/1000] - 2009

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Tinkebell - Dearest Tinkebell [no. 444/1000] - 2009

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