Item Description This is a striking black ceramic fired jar (Kokutō Yakishime Tsubo) created by Jinnai Sakata (1943-), one of the most prominent contemporary ceramic artists working in Mashiko. Standing at 24 cm tall, this piece exemplifies Sakata's signature black pottery technique, characterized by its deep, lustrous black surface achieved through high-temperature firing in a reduction atmosphere. Sakata is renowned for his distinctive "Jinshin-mon" (deep profound pattern) - wave-like carved patterns that represent his philosophical exploration of the universe's depths and humanity's reverence for creation. Born in Tokyo in 1943, Sakata studied under the legendary potter Kamoda Shoji before establishing his own kiln in Mashiko's Kamiooba area in 1966. His work bridges traditional Japanese pottery aesthetics with contemporary artistic vision, earning him exhibitions at prestigious venues including Takashimaya department stores throughout Japan and the New York Art Gallery Takashimaya. This jar demonstrates Sakata's mastery of the yakishime (unglazed high-fired) technique combined with his kokutō (black pottery) specialty. The piece displays remarkable craftsmanship in its balanced proportions and the subtle variations in the black surface that result from direct flame contact during the firing process. The form is bold yet elegant, embodying both primitive power reminiscent of Jomon pottery and sophisticated modern sensibility. Sakata's works are highly valued in the Japanese ceramic art market and are sought after by collectors internationally. This jar would serve beautifully as a flower vessel, display piece, or sculptural object in contemporary or traditional settings. Size Height: 24 cm Width: 24 cm Depth: 24 cm Weight 2817 g / 2.817 kg Condition Good condition with minor traces of use consistent with age. Some natural surface variations typical of high-fired black pottery. Artist Profile Jinnai Sakata (1943-) is a distinguished contemporary ceramic artist based in Mashiko, Tochigi Prefecture. Born in Tokyo, he began his ceramic journey in 1964 by apprenticing under Kamoda Shoji, one of the most influential avant-garde potters of post-war Japan. In 1966, Sakata established his independence by building his own climbing kiln in Mashiko's Kamiooba district, marking the beginning of his prolific career. Sakata's artistic evolution has been characterized by continuous innovation while maintaining deep respect for traditional Japanese pottery. His signature technique, kokutō (black pottery), combined with his unique "Jinshin-mon" carved patterns, represents his philosophical exploration of universal themes - the cosmos, origins of life, and humanity's connection to nature. His work draws inspiration from ancient Jomon pottery while maintaining a distinctly contemporary aesthetic. Throughout his career spanning over five decades, Sakata has held numerous solo exhibitions at prestigious venues including Takashimaya department stores in Tokyo, Osaka, and other major cities since 1987. His work has been featured internationally, including at the New York Art Gallery Takashimaya in 1994. Beyond ceramics, Sakata has expanded his creative practice to include glasswork, washi paper, and LED lighting installations, demonstrating remarkable versatility as an artist. In 2013, he donated a large black pottery plate to Ise Grand Shrine for the ceremonial Shikinen Sengu, and in 2014, he donated a glass sculpture to Atsuta Shrine, recognizing his artistic and cultural contributions. Sakata established his Ohzu Studio in 1992, which became his primary creative base. His works are collected by museums, galleries, and private collectors worldwide, and he continues to be active in the contemporary Japanese ceramic art scene. NOITICE: The lot will be carefully packaged and sent by Japan Post, DHL or FedEx depend on the situation. It takes about 3 weeks to receive normally. Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Sometimes Customes or delivery company in your country contact you for Customs clearance via phone or email. Please make sure that you could answer the phone. If you don't, the parcel will return to me and it cost more double shipping fee for reshipping. I appreciate your cooperation.