Nr. 100251880

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jozsef Fogas - Lithograph poster industrial propaganda educational ussr Russian soviet cold war - 1960er Jahre
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jozsef Fogas - Lithograph poster industrial propaganda educational ussr Russian soviet cold war - 1960er Jahre

• Authentic original 1960s educational lithographic poster, not a later reproduction • Period-correct offset lithography with deep black fields and vivid flat colors • Exceptionally complete visual set: nature, childhood, domestic life, animals, objects • Strong mid-century modern graphic language with pedagogical numbering system • Ideal crossover piece for collectors of vintage design, illustration, and educational graphics This striking 1960s lithographic poster is a rare survivor of original educational wall charts produced during the golden age of European didactic design. Created as a visual learning tool, it reflects a time when graphic clarity, color discipline, and symbolic reduction were considered essential for shaping perception and knowledge. The composition brings together a carefully curated series of illustrated motifs, each framed within its own black field and identified by a numerical system, forming a unified yet rhythmically diverse visual language. The poster’s imagery ranges from natural elements to everyday objects and childhood figures, presenting a holistic worldview typical of mid-century educational philosophy. A bare-branched tree rendered in warm ochre lines suggests seasonal cycles and organic structure, while animals such as a fish, bird, chick, and parrot evoke biodiversity and observation. Domestic references, including a woven basket, spoon, chair, scarf, and clothing, introduce tactile familiarity and daily rituals. The presence of children, depicted with gentle expressions and simplified forms, anchors the composition in themes of growth, learning, and innocence. Graphically, the work exemplifies classic 1960s illustration aesthetics. Flat color planes, confident contour lines, balanced proportions, and controlled palettes demonstrate the influence of modernist design principles. The deep black background heightens contrast, allowing the saturated blues, yellows, greens, and warm neutrals to appear luminous and crisp even decades later. This visual strategy was not merely decorative but functional, ensuring legibility from a distance in classrooms and institutions. The lithographic printing process is evident in the uniform ink coverage and sharp edges, hallmarks of quality offset production from the era. Subtle variations in tone and minute registration characteristics confirm its originality and period authenticity. Unlike contemporary digital prints, this poster carries the tactile presence and historical integrity that collectors seek, embodying the material culture of post-war visual education. Beyond its original instructional purpose, the poster now functions as a compelling decorative object. Its modular layout resonates strongly with contemporary interiors, making it equally suitable for modernist homes, creative studios, design-focused hospitality spaces, or curated retail environments. The numbered structure adds a conceptual layer, hinting at classification, taxonomy, and narrative sequencing, elements that appeal to collectors of conceptual and educational art. From a cultural perspective, the piece captures a moment when illustration bridged art and utility. It reflects social values centered on clarity, order, optimism, and accessibility, qualities deeply embedded in 1960s visual communication. The anonymous yet masterful hand behind the illustrations speaks to a broader tradition of applied artists whose work shaped generations without seeking personal acclaim. For collectors, this poster offers multiple points of entry: vintage graphic design, educational ephemera, mid-century modern aesthetics, illustration history, and original printmaking. Its condition, visual completeness, and strong wall presence make it a highly desirable acquisition, especially as intact examples of authentic 1960s educational charts continue to disappear from the market. As an original lithograph, it stands as a genuine artifact rather than a nostalgic imitation. It carries the quiet authority of its era, combining charm with intellectual structure. Whether acquired as an investment piece, a statement artwork, or a historically informed design object, this poster offers enduring visual impact and cultural resonance well beyond its original classroom context.

Nr. 100251880

Verkauft
jozsef Fogas - Lithograph poster industrial propaganda educational ussr Russian soviet cold war - 1960er Jahre

jozsef Fogas - Lithograph poster industrial propaganda educational ussr Russian soviet cold war - 1960er Jahre

• Authentic original 1960s educational lithographic poster, not a later reproduction
• Period-correct offset lithography with deep black fields and vivid flat colors
• Exceptionally complete visual set: nature, childhood, domestic life, animals, objects
• Strong mid-century modern graphic language with pedagogical numbering system
• Ideal crossover piece for collectors of vintage design, illustration, and educational graphics

This striking 1960s lithographic poster is a rare survivor of original educational wall charts produced during the golden age of European didactic design. Created as a visual learning tool, it reflects a time when graphic clarity, color discipline, and symbolic reduction were considered essential for shaping perception and knowledge. The composition brings together a carefully curated series of illustrated motifs, each framed within its own black field and identified by a numerical system, forming a unified yet rhythmically diverse visual language.

The poster’s imagery ranges from natural elements to everyday objects and childhood figures, presenting a holistic worldview typical of mid-century educational philosophy. A bare-branched tree rendered in warm ochre lines suggests seasonal cycles and organic structure, while animals such as a fish, bird, chick, and parrot evoke biodiversity and observation. Domestic references, including a woven basket, spoon, chair, scarf, and clothing, introduce tactile familiarity and daily rituals. The presence of children, depicted with gentle expressions and simplified forms, anchors the composition in themes of growth, learning, and innocence.

Graphically, the work exemplifies classic 1960s illustration aesthetics. Flat color planes, confident contour lines, balanced proportions, and controlled palettes demonstrate the influence of modernist design principles. The deep black background heightens contrast, allowing the saturated blues, yellows, greens, and warm neutrals to appear luminous and crisp even decades later. This visual strategy was not merely decorative but functional, ensuring legibility from a distance in classrooms and institutions.

The lithographic printing process is evident in the uniform ink coverage and sharp edges, hallmarks of quality offset production from the era. Subtle variations in tone and minute registration characteristics confirm its originality and period authenticity. Unlike contemporary digital prints, this poster carries the tactile presence and historical integrity that collectors seek, embodying the material culture of post-war visual education.

Beyond its original instructional purpose, the poster now functions as a compelling decorative object. Its modular layout resonates strongly with contemporary interiors, making it equally suitable for modernist homes, creative studios, design-focused hospitality spaces, or curated retail environments. The numbered structure adds a conceptual layer, hinting at classification, taxonomy, and narrative sequencing, elements that appeal to collectors of conceptual and educational art.

From a cultural perspective, the piece captures a moment when illustration bridged art and utility. It reflects social values centered on clarity, order, optimism, and accessibility, qualities deeply embedded in 1960s visual communication. The anonymous yet masterful hand behind the illustrations speaks to a broader tradition of applied artists whose work shaped generations without seeking personal acclaim.

For collectors, this poster offers multiple points of entry: vintage graphic design, educational ephemera, mid-century modern aesthetics, illustration history, and original printmaking. Its condition, visual completeness, and strong wall presence make it a highly desirable acquisition, especially as intact examples of authentic 1960s educational charts continue to disappear from the market.

As an original lithograph, it stands as a genuine artifact rather than a nostalgic imitation. It carries the quiet authority of its era, combining charm with intellectual structure. Whether acquired as an investment piece, a statement artwork, or a historically informed design object, this poster offers enduring visual impact and cultural resonance well beyond its original classroom context.

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