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Die schönsten Objekte – präsentiert von {name}

Kai Brückner

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Da collezione personale, splendida fotoincisione (photogravure) originale di Alvin Langdon Coburn (1882-1966) del 1911 dal titolo -The Water Carrier-  magnificamente stampata a mano dallo stesso Coburn.

La fotoincisione presenta leggeri segni d'uso superficiali non fotografabili.

La foto viene venduta comprensiva del suo passepartout a cartella e certificato di autenticità.
La cornice non fa parte del lotto e non viene venduta insieme alla foto!

Dimensioni immagine 105x118 mm
Diemensione foglio 227x153 mm 
Dimensioni passepartout 40x30,5cm

Imballo professionale in robusto cartone polionda incrociato.

Alvin Langdon Coburn (Boston1882 - Rhos-on-Sea, Denbighshire, Galles1966, ) iniziò a scattare fotografie quando ricevette una macchina fotografica in regalo per il suo ottavo compleanno, ma fu solo nel 1899, quando incontrò il fotografo Edward Steichen, che divenne un fotografo serio. Nello stesso anno Coburn contribuì alla mostra New School of American Pictorial Photography alla Royal Photographic Society di Londra nel 1900. Al suo ritorno a New York, Coburn aprì uno studio fotografico e si legò agli artisti e agli intellettuali che circondavano Alfred Stieglitz, che lo invitarono a essere un membro fondatore della Photo-Secession e pubblicarono le sue fotografie in Camera Work. L'affiliazione di Coburn con la fotografia d'avanguardia fu confermata in Gran Bretagna quando fu eletto nella Linked Ring Brotherhood, un'associazione di fotografi pittorialisti. Nel 1904 Coburn partì per Londra con l'incarico di fotografare celebrità. Tra i ritratti memorabili che realizzò, ci furono quelli degli scrittori George Meredith (1904) e Henry James (1906) e dello scultore Auguste Rodin (1906). I ritratti di Coburn furono raccolti e pubblicati nei libri Men of Mark (1913) e More Men of Mark (1922). Nel 1913 Coburn espose cinque fotografie intitolate collettivamente New York from Its Pinnacles, che mostravano scene di strada viste dall'alto. Queste fotografie, in particolare The Octopus, New York, mostrano un uso innovativo della prospettiva e un'enfasi sul modello astratto. Nel 1917 iniziò a scattare le prime fotografie completamente non oggettive. Le chiamò vortografie per associarle ai Vorticisti, un gruppo di scrittori e pittori inglesi che erano stati influenzati dal Cubismo e dal Futurismo, come lo era stato lo stesso Coburn. Le vortografie erano un tentativo deliberato di dimostrare che i fotografi potevano frammentare lo spazio in composizioni astratte come avevano fatto i pittori e gli scultori cubisti. Durante gli anni '20 Coburn, che a quel tempo si era trasferito in Inghilterra, si interessò sempre di più al misticismo e abbandonò la macchina fotografica in favore di ricerche spirituali. Negli anni '50, tuttavia, riprese a fotografare e produsse una serie di fotografie misteriosamente ambigue.

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From a personal collection, a splendid original photogravure by Alvin Langdon Coburn (1882-1966) from 1911 entitled -The Water Carrier- beautifully hand printed by Coburn himself.

The photogravure shows slight signs of use that cannot be photographed.

The photo is sold including its folder passepartout and certificate of authenticity.
The frame is not part of the lot and is not sold together with the photo!

Image dimensions 105x118 mm
Sheet dimensions 227x153 mm
Passepartout dimensions 40x30.5cm

Professional packaging in sturdy crossed corrugated cardboard.

Alvin Langdon Coburn (Boston1882 - Rhos-on-Sea, Denbighshire, Wales1966, )  began taking photographs when he received a camera as a gift on his eighth birthday, but it was not until 1899, when he met the photographer Edward Steichen, that he became a serious photographer. In the same year Coburn contributed to exhibition the New School of American Pictorial Photography at London's Royal Photographic Society in 1900. Upon his return to New York, Coburn opened a photography studio and became involved with the artists and intellectuals surrounding Alfred Stieglitz, who invited him to be a founding member of the Photo-Secession and published his photographs in Camera Work. Coburn's affiliation with avant-garde photography was confirmed in Britain when he was elected to the Linked Ring Brotherhood, an association of Pictorialist photographers.
In 1904 Coburn left for London with a commission to photograph celebrities. Among the memorable portraits he made there were those of the writers George Meredith (1904) and Henry James (1906) and the sculptor Auguste Rodin (1906). Coburn’s portraits were collected and published in the books Men of Mark (1913) and More Men of Mark (1922).
In 1913 Coburn exhibited five photographs collectively titled New York from Its Pinnacles, showing street scenes viewed from above. These photographs, especially The Octopus, New York, display a novel use of perspective and an emphasis upon abstract pattern. In 1917 he began taking the first completely nonobjective photographs. He called them vortographs to associate them with the Vorticists, a group of English writers and painters who had been influenced by Cubism and Futurism, as Coburn himself had been. Vortographs were a deliberate attempt to prove that photographers could fracture space into abstract compositions as Cubist painters and sculptors had done.
During the 1920s Coburn, who had by this time moved to England, became increasingly interested in mysticism, and he abandoned the camera in favour of spiritual pursuits. In the 1950s, however, he resumed photography and produced a number of mysteriously ambiguous photographs. 



Heliogravüre - Nicht signiert - Dodd. Mead and Company, New York 1911 - 1911

Alvin Langdon Coburn (1882-1966) - The Water Carrier

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Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Alvin Langdon Coburn (1882-1966) - The Water Carrier

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Fotografie

Dieses Objekt ist leider nicht mehr verfügbar, aber es gibt noch viel zu entdecken

Alvin Langdon Coburn (1882-1966) - The Water Carrier

Beliebt in Fotografie

698 Objekte

Verwandte Kollektionen