Albrecht Dürer (1471-1528), after - I quattro cavalieri dell'apocalisse

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David Elberg
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Albrecht Dürer (after), I quattro cavalieri dell'apocalisse, woodcut print, 1900, limited edition, signed on the block, 288 × 398 mm, Germany, in good condition.

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Description from the seller

"The Four Horsemen of the Apocalypse" large plate published in 1496/98

This engraving represents the four horsemen of the Apocalypse according to the vision of St. John:

the first on the right, with a bow in his hand, symbolizes the plague;
the second, with the unsheathed sword, symbolizes war;
the third, with the empty scales, symbolizes famine;
the last one is death and below him we see a king in the jaws of Hades along with some corpses.

“I saw the Lamb open the first of the seven seals. I looked and saw a white horse. Its rider held a bow in his hand. God gave him a crown, a symbol of triumph, and he went from one victory to another, always victorious.
When God opened the second seal, another horse stood forth, a flaming red horse; and God gave its rider a great sword and power to destroy peace from the earth.
When the Lamb opened the third seal, I looked, and behold, a black horse! Its rider was holding a pair of scales in his hand.”
Finally, “I looked, and behold, a corpse-colored horse. Its rider was named Death, and an army of the dead was with him” (Revelation 6:1-8).

Splendid work by what is called 'Dürer's most memorable image,' which has become a source of inspiration for depictions of war and destruction throughout the history of Western art.

IV/15
Meder, 167; Bartsch, VII.128.64; Schoch, II.115.

Lithographic print on paper, datable to the first half of the 20th century. Good condition with small margins beyond the woodblock impression.

"The Four Horsemen of the Apocalypse" large plate published in 1496/98

This engraving represents the four horsemen of the Apocalypse according to the vision of St. John:

the first on the right, with a bow in his hand, symbolizes the plague;
the second, with the unsheathed sword, symbolizes war;
the third, with the empty scales, symbolizes famine;
the last one is death and below him we see a king in the jaws of Hades along with some corpses.

“I saw the Lamb open the first of the seven seals. I looked and saw a white horse. Its rider held a bow in his hand. God gave him a crown, a symbol of triumph, and he went from one victory to another, always victorious.
When God opened the second seal, another horse stood forth, a flaming red horse; and God gave its rider a great sword and power to destroy peace from the earth.
When the Lamb opened the third seal, I looked, and behold, a black horse! Its rider was holding a pair of scales in his hand.”
Finally, “I looked, and behold, a corpse-colored horse. Its rider was named Death, and an army of the dead was with him” (Revelation 6:1-8).

Splendid work by what is called 'Dürer's most memorable image,' which has become a source of inspiration for depictions of war and destruction throughout the history of Western art.

IV/15
Meder, 167; Bartsch, VII.128.64; Schoch, II.115.

Lithographic print on paper, datable to the first half of the 20th century. Good condition with small margins beyond the woodblock impression.

Details

Artist
Albrecht Dürer (1471-1528), after
Sold by
Owner or reseller
Edition
Limited edition
Title of artwork
I quattro cavalieri dell'apocalisse
Technique
Woodcut print
Signature
Plate signed
Country of Origin
Germany
Year
1900
Condition
Good condition
Height
288 mm
Width
398 mm
Style
Renaissance
Period
1920-1930
Sold with frame
No
Sold by
ItalyVerified
1266
Objects sold
100%
Private

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