Erich Buchholz (1891-1972) - Composition
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€ 75
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Selected by David Elberg
Spent five years as a Classic Art Expert and three years as a commissaire-priseur.
Estimate € 250 - € 300
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Erich Buchholz, Composition, a 1920 woodcut print (28 × 28 cm), hand signed, in excellent condition, from a limited unnumbered edition of 230 copies published by Edition Panderma Basel, Germany.
AI-assisted summary
Description from the seller
Erich Buchholz: Composition from La Lune en Rodage III
Material: Vergé-paper
Editor: Edition Panderma, Basel
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) Signed and dated
Condition / Restauration:
mint archival condition, fixed on cardboard (32 x 32 cm)
Erich Buchholz (1891–1972) was a German artist in painting and printmaking. The original motive of this print is part of the permanent collection of the Museum of Modern Art in New York (Composition 1920).
He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. At the exhibition Constructivism and Suprematism, organized in 1922 by the Van Diemen Gallery in Berlin, he met László Moholy-Nagy, Laszlo Peri, Ernő Kállai, and El Lissitzky, people with whom he kept close contact in the following years.
Seller's Story
Kunstkontor Basel was founded as online art dealership in Basel, Switzerland in 2018. We are focused on Concrete, Constructive and Digital Art spanning avant-garde positions from the 1920s until today. Kunstkontor presents a selection of original prints, multiples and unique works by European artists in collaboration with renowned publishers. Works by artists such Lajos Kassák, Victor Vasarely, Lou Loeber, Lothar Schreyer, Günther Fruhtrunk, Jo Niemeyer, Lars-Gunnar Nordström, Matti Kujasalo, Peter Vogel and many more.
Translated by Google TranslateErich Buchholz: Composition from La Lune en Rodage III
Material: Vergé-paper
Editor: Edition Panderma, Basel
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) Signed and dated
Condition / Restauration:
mint archival condition, fixed on cardboard (32 x 32 cm)
Erich Buchholz (1891–1972) was a German artist in painting and printmaking. The original motive of this print is part of the permanent collection of the Museum of Modern Art in New York (Composition 1920).
He was a central figure in the development of non-objective or concrete art in Berlin between 1918 and 1924. At the exhibition Constructivism and Suprematism, organized in 1922 by the Van Diemen Gallery in Berlin, he met László Moholy-Nagy, Laszlo Peri, Ernő Kállai, and El Lissitzky, people with whom he kept close contact in the following years.
Seller's Story
Kunstkontor Basel was founded as online art dealership in Basel, Switzerland in 2018. We are focused on Concrete, Constructive and Digital Art spanning avant-garde positions from the 1920s until today. Kunstkontor presents a selection of original prints, multiples and unique works by European artists in collaboration with renowned publishers. Works by artists such Lajos Kassák, Victor Vasarely, Lou Loeber, Lothar Schreyer, Günther Fruhtrunk, Jo Niemeyer, Lars-Gunnar Nordström, Matti Kujasalo, Peter Vogel and many more.
Translated by Google TranslateDetails
Artist
Erich Buchholz (1891-1972)
Sold by
Gallery
Edition
Limited edition
Title of artwork
Composition
Technique
Woodcut print
Signature
Hand signed
Country of Origin
Germany
Year
1920
Condition
Excellent condition
Height
28 cm
Width
28 cm
Style
Bauhaus
Period
1920-1930
Sold with frame
No
Sold by
