Hans Sieverding (1937) - Kopttage 16






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
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Hans Sieverding (1937) created Kopttage 16, an oil on canvas abstract work from 1993, 74 × 64 cm, sold with a frame, in the Origineel edition, produced in Germany.
Description from the seller
Hans Sieverding (1937)
Kopttage 16
Oil on canvas
Signed on the back
74 x 64 cm (with frame)
70 x 60 cm (without frame)
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he probes with intensity themes such as power, identity, nationalism, migration and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and current political issues are interwoven.
Sieverding makes frequent use of black-and-white photography in combination with fragments of text. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image-making. His practice is deeply rooted in reflection on German history and postwar European identity, yet it also has a pronounced international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and took part in numerous exhibitions at home and abroad. His work is valued for its intellectual rigor and its ability to use art as a means of social reflection.
Seller's Story
Hans Sieverding (1937)
Kopttage 16
Oil on canvas
Signed on the back
74 x 64 cm (with frame)
70 x 60 cm (without frame)
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film and text. In his oeuvre he probes with intensity themes such as power, identity, nationalism, migration and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and current political issues are interwoven.
Sieverding makes frequent use of black-and-white photography in combination with fragments of text. By bringing image and language together, he creates layered works that confront the viewer with the influence of ideology, propaganda and image-making. His practice is deeply rooted in reflection on German history and postwar European identity, yet it also has a pronounced international relevance.
He studied at the Hochschule der Künste in Berlin (now Universität der Künste Berlin) and took part in numerous exhibitions at home and abroad. His work is valued for its intellectual rigor and its ability to use art as a means of social reflection.
