Robert Clark Indiana - Summer LOVE






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Robert Indiana, Summer LOVE, a 40 × 40 cm hand-tufted wool mixed-media Pop Art work, signed, in a limited edition from 2006, origin India, in good condition, sold by Galerie.
Description from the seller
Robert Indiana
13.09.1928 New Castle
Summer LOVE
Made of 100% pure wool - hand-tufted
2006
verso with certificate, handwritten numbered,
on the certificate hand-signed.
in very good condition
Size: approx. 40x40 cm
For numbered objects the numbering may differ from the photo; you will receive an exemplar from the edition.
The production of hand-tufted carpets requires great craftsmanship. Each carpet is produced by a tofter in its entirety. On the stretched carrier fabric, the shape of the resulting carpet is traced and this is made with high quality and selected, high-quality materials (pure wool).
Robert Indiana (born Robert Clark; September 13, 1928 – May 19, 2018) was an American artist and a central figure of the Pop Art movement. He drew inspiration from advertising signs and claimed: “In America there are more signs than trees. There are more signs than leaves. I regard myself as a painter of the American landscape.” In his paintings, sculptures, carpets, and prints, he imitates and arranges the words and numbers of a variety of signs, including the Phillips 66 gas-station logo and the traffic sign “Yield.” He is best known for his 1964 painting “Love,” which was created for a Christmas card for the Museum of Modern Art in New York. He created a block from the word—with the “L” and the “O” on the “V” and the “E”—Indiana effectively inserted his own sign into the mix. His “Love” painting was reproduced on a stamp in 1973; his Love sculptures are installed worldwide in public spaces.
Indiana moved to New York City in 1954 and joined the Pop Art movement. He employed a distinctive visual language based on approaches from commercial art and existentialism, gradually turning toward what Indiana called “sculptural poems.” He has had solo exhibitions in more than 40 museums and galleries worldwide. His works are in the permanent collections of numerous museums, including: the Museum of Modern Art in New York, the Whitney Museum of American Art in New York, the Metropolitan Museum of Art in New York; Stedelijk Museum, Schiedam, Netherlands; Carnegie Institute, Detroit Institute of Arts, Baltimore Museum of Art, San Francisco Museum of Modern Art, Hirshhorn Museum in Washington, DC; Institute for Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; and the Los Angeles County Museum, California, among many others.
Robert Indiana
13.09.1928 New Castle
Summer LOVE
Made of 100% pure wool - hand-tufted
2006
verso with certificate, handwritten numbered,
on the certificate hand-signed.
in very good condition
Size: approx. 40x40 cm
For numbered objects the numbering may differ from the photo; you will receive an exemplar from the edition.
The production of hand-tufted carpets requires great craftsmanship. Each carpet is produced by a tofter in its entirety. On the stretched carrier fabric, the shape of the resulting carpet is traced and this is made with high quality and selected, high-quality materials (pure wool).
Robert Indiana (born Robert Clark; September 13, 1928 – May 19, 2018) was an American artist and a central figure of the Pop Art movement. He drew inspiration from advertising signs and claimed: “In America there are more signs than trees. There are more signs than leaves. I regard myself as a painter of the American landscape.” In his paintings, sculptures, carpets, and prints, he imitates and arranges the words and numbers of a variety of signs, including the Phillips 66 gas-station logo and the traffic sign “Yield.” He is best known for his 1964 painting “Love,” which was created for a Christmas card for the Museum of Modern Art in New York. He created a block from the word—with the “L” and the “O” on the “V” and the “E”—Indiana effectively inserted his own sign into the mix. His “Love” painting was reproduced on a stamp in 1973; his Love sculptures are installed worldwide in public spaces.
Indiana moved to New York City in 1954 and joined the Pop Art movement. He employed a distinctive visual language based on approaches from commercial art and existentialism, gradually turning toward what Indiana called “sculptural poems.” He has had solo exhibitions in more than 40 museums and galleries worldwide. His works are in the permanent collections of numerous museums, including: the Museum of Modern Art in New York, the Whitney Museum of American Art in New York, the Metropolitan Museum of Art in New York; Stedelijk Museum, Schiedam, Netherlands; Carnegie Institute, Detroit Institute of Arts, Baltimore Museum of Art, San Francisco Museum of Modern Art, Hirshhorn Museum in Washington, DC; Institute for Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania; and the Los Angeles County Museum, California, among many others.
