Lou Atmån - Opaline - untitled 02






Has over ten years of experience in art, specialising in post-war photography and contemporary art.
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Description from the seller
This photograph from the Opaline series was taken in the artist's studio in 2016. It is available as a FineArt PhotoRag high‑grammage (310 g/m²) Art print, giving it excellent stability in a classic photo frame, even without glass. It is 100% cotton museum-grade paper, capable of producing deep blacks. It is particularly suited to demanding fine art photography.
This signed print of 33x46 cm is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her acclaimed photographic work is present in private collections. She has won international prizes, granting her recognition in the art world.
Lou's photographs resemble enigmas. Bodies are segmented, blurred; they reveal themselves or hide, playing with what is known about them to tell something else. But tell what, exactly? First, impressions: in the Opaline series, the fleeting happiness of an appearance, that of a fragment of solitary landscape stolen from darkness [..] What remains of the body is really the eroticism of this skin photographed, with a great deal of modesty, like a caress, delicate as a murmur. By becoming only pure form, pure image composition, its surface expresses the invisible animating it, yet refuses to name it. It merely quests for the gaze, this quest for the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
This photograph from the Opaline series was taken in the artist's studio in 2016. It is available as a FineArt PhotoRag high‑grammage (310 g/m²) Art print, giving it excellent stability in a classic photo frame, even without glass. It is 100% cotton museum-grade paper, capable of producing deep blacks. It is particularly suited to demanding fine art photography.
This signed print of 33x46 cm is part of a limited edition (/25). It comes with a certificate of authenticity.
The artist has exhibited in numerous contemporary art fairs in France and abroad. Her acclaimed photographic work is present in private collections. She has won international prizes, granting her recognition in the art world.
Lou's photographs resemble enigmas. Bodies are segmented, blurred; they reveal themselves or hide, playing with what is known about them to tell something else. But tell what, exactly? First, impressions: in the Opaline series, the fleeting happiness of an appearance, that of a fragment of solitary landscape stolen from darkness [..] What remains of the body is really the eroticism of this skin photographed, with a great deal of modesty, like a caress, delicate as a murmur. By becoming only pure form, pure image composition, its surface expresses the invisible animating it, yet refuses to name it. It merely quests for the gaze, this quest for the gaze as metamorphosis.
Hannibal Volkoff – curator of the exhibition
