Hans Sieverding (1937) - Kopttage 16






Master’s in culture and arts innovation, with a decade in 20th-21st century Italian art.
| €150 | ||
|---|---|---|
| €3 | ||
| €2 | ||
Catawiki Buyer Protection
Your payment’s safe with us until you receive your object.View details
Trustpilot 4.4 | 130109 reviews
Rated Excellent on Trustpilot.
Description from the seller
Hans Sieverding (1937)
Kopttage 16
Oil on canvas
Signed on the back
74 x 64 cm (with frame)
70 x 60 cm (without frame)
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film, and text. In his œuvre, he intensely explores themes such as power, identity, nationalism, migration, and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with fragments of text. By bringing image and language together, he creates layered works that confront viewers with the influence of ideology, propaganda, and image-making. His practice is deeply rooted in reflection on German history and post-war European identity, yet it also has a distinctly international relevance.
He studied at the Hochschule der Künste in Berlin (today Universität der Künste Berlin) and has participated in numerous exhibitions both in Germany and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection."
Seller's Story
Hans Sieverding (1937)
Kopttage 16
Oil on canvas
Signed on the back
74 x 64 cm (with frame)
70 x 60 cm (without frame)
Hans Sieverding (1949) is a German conceptual artist who works with photography, installation, film, and text. In his œuvre, he intensely explores themes such as power, identity, nationalism, migration, and the role of media in shaping collective consciousness. His work is characterized by a critical, analytical approach in which historical and contemporary political issues are interwoven.
Sieverding frequently uses black-and-white photography in combination with fragments of text. By bringing image and language together, he creates layered works that confront viewers with the influence of ideology, propaganda, and image-making. His practice is deeply rooted in reflection on German history and post-war European identity, yet it also has a distinctly international relevance.
He studied at the Hochschule der Künste in Berlin (today Universität der Künste Berlin) and has participated in numerous exhibitions both in Germany and abroad. His work is valued for its intellectual sharpness and its ability to use art as a means of social reflection."
