Carlos Asensio - Yang II






Holds a bachelor’s degree in art history and a master’s degree in arts and cultural management.
€73 | ||
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€68 | ||
€63 | ||
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Original oil painting Yang II by Carlos Asensio, 2026, 60 x 73 cm, in black, white, blue, brown and orange; sold with frame; hand-signed; comes with certificate of authenticity; directly from the artist; in excellent condition.
Description from the seller
- The work is in pristine condition.
- It comes directly from the artist's studio. This painting is oil on canvas and completely original. It is not a print, nor was AI used in its execution.
- The painting is hand-signed on the lower right corner of the front.
- It includes an authenticity certificate issued and signed by the artist himself.
- The work is shipped via an international shipping agency.
- The painting is wrapped with bubble wrap and placed in sturdy cardboard to guarantee its safety.
This series of paintings is an exploration of Yang, the active, dynamic, and luminous principle of the universe, manifested in the intimate relationship between the human being and their domestic environment. Not from the symbolic or mythical perspective, but from the everyday: in play, in movement, or in gaze. Here, Yang is not presented as an isolated force, but as energy that circulates between two presences. In ordinary gestures, Yang is expressed as shared expansion, as a bond in action. Each scene depicts a moment of vitality: an affirmation of being alive. Yang here manifests as affect in motion. It is not only about physical strength, but about a radiant presence: the one that arises from a genuine bond, from a joy that needs no language. These paintings invite us to look at the human-space bond as a field of shared energy, where the domestic becomes sacred and the everyday lights up.
Carlos Asensio was born in Castellón in 1986. At a young age he began his academic training under the tutelage of the Cuban artist Amaury Suárez.
He holds a Doctorate in Fine Arts, with a Cum Laude distinction, and has a Master’s in Artistic Production from the Universitat Politècnica de València. He has also completed a Studio Program at the Berlin Art Institute where he received instruction from renowned artists such as Bernhard Martin, Larissa Fassler, Nikola Röthemeyer, and Various & Gould. His work in the field of research has led him to participate in several international university conferences, as well as to publish in humanities journals such as Human Review or Peter Lang.
Among his notable solo exhibitions are those held at the Centro de Arte Tomás y Valiente in Fuenlabrada, the Museo Municipal de Albacete, and the Centro 14 in Alicante. Regarding group shows, he has exhibited nationally and internationally. In the group exhibition Ciclamen for the Léucade Gallery in Murcia, a collaborative project in the DXIX Projects space in Fort Collins, two editions of the Open Studios at GlogauAIR, or BAAM#3 in Monopol Berlin. The traveling exhibition titled Atlas del Arte Español carried out at the Exhibition Hall of the Junta Municipal de Usera, the Mauro Muriendas Hall in Torrelavega, and the O Vello Cárcere Cultural Center in Lugo. Various exhibitions carried out with the Infinity Art project at fairs such as the Affordable Art Fair in Amsterdam, Art Madrid, or Estampa in Madrid. The 2019_n3 collective exhibition at Piramidón Centre D’Art Contemporani in Barcelona, the Art Spring 2019 event held in Berlin, six editions of Marte, the International Contemporary Art Fair in Castellón, the III Biennial of Open City Arts in Valencia, or the II Call of La New Fair in Madrid.
Additionally, some of his pieces are present in major private collections such as the Museo Europeo de Arte Moderno and Piramidón Centre D’Art Contemporani in Barcelona, the Museo Arte Contemporanea Sicilia in Catania, and public institutions such as the Museu de la Ciutat de Castelló. Individually, his work is present in collections in Spain, Portugal, Italy, France, Greece, the Netherlands, the United Kingdom, Sweden, Germany, Belgium, and the United States.
- The work is in pristine condition.
- It comes directly from the artist's studio. This painting is oil on canvas and completely original. It is not a print, nor was AI used in its execution.
- The painting is hand-signed on the lower right corner of the front.
- It includes an authenticity certificate issued and signed by the artist himself.
- The work is shipped via an international shipping agency.
- The painting is wrapped with bubble wrap and placed in sturdy cardboard to guarantee its safety.
This series of paintings is an exploration of Yang, the active, dynamic, and luminous principle of the universe, manifested in the intimate relationship between the human being and their domestic environment. Not from the symbolic or mythical perspective, but from the everyday: in play, in movement, or in gaze. Here, Yang is not presented as an isolated force, but as energy that circulates between two presences. In ordinary gestures, Yang is expressed as shared expansion, as a bond in action. Each scene depicts a moment of vitality: an affirmation of being alive. Yang here manifests as affect in motion. It is not only about physical strength, but about a radiant presence: the one that arises from a genuine bond, from a joy that needs no language. These paintings invite us to look at the human-space bond as a field of shared energy, where the domestic becomes sacred and the everyday lights up.
Carlos Asensio was born in Castellón in 1986. At a young age he began his academic training under the tutelage of the Cuban artist Amaury Suárez.
He holds a Doctorate in Fine Arts, with a Cum Laude distinction, and has a Master’s in Artistic Production from the Universitat Politècnica de València. He has also completed a Studio Program at the Berlin Art Institute where he received instruction from renowned artists such as Bernhard Martin, Larissa Fassler, Nikola Röthemeyer, and Various & Gould. His work in the field of research has led him to participate in several international university conferences, as well as to publish in humanities journals such as Human Review or Peter Lang.
Among his notable solo exhibitions are those held at the Centro de Arte Tomás y Valiente in Fuenlabrada, the Museo Municipal de Albacete, and the Centro 14 in Alicante. Regarding group shows, he has exhibited nationally and internationally. In the group exhibition Ciclamen for the Léucade Gallery in Murcia, a collaborative project in the DXIX Projects space in Fort Collins, two editions of the Open Studios at GlogauAIR, or BAAM#3 in Monopol Berlin. The traveling exhibition titled Atlas del Arte Español carried out at the Exhibition Hall of the Junta Municipal de Usera, the Mauro Muriendas Hall in Torrelavega, and the O Vello Cárcere Cultural Center in Lugo. Various exhibitions carried out with the Infinity Art project at fairs such as the Affordable Art Fair in Amsterdam, Art Madrid, or Estampa in Madrid. The 2019_n3 collective exhibition at Piramidón Centre D’Art Contemporani in Barcelona, the Art Spring 2019 event held in Berlin, six editions of Marte, the International Contemporary Art Fair in Castellón, the III Biennial of Open City Arts in Valencia, or the II Call of La New Fair in Madrid.
Additionally, some of his pieces are present in major private collections such as the Museo Europeo de Arte Moderno and Piramidón Centre D’Art Contemporani in Barcelona, the Museo Arte Contemporanea Sicilia in Catania, and public institutions such as the Museu de la Ciutat de Castelló. Individually, his work is present in collections in Spain, Portugal, Italy, France, Greece, the Netherlands, the United Kingdom, Sweden, Germany, Belgium, and the United States.
